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Poetic short documentary about Finnish rituals of happiness.

The Munich Olympic Stadium, 1972. Athletes and officials are preparing for the 10,000 metres final. Lasse Virén is warming up on the track. It is not a big day only for Virén but for the whole nation. But one man cannot win alone. It takes a dedicated group of hardworking, reliable people. In a desolate bunker near the track, six Finnish men are preparing to help Lasse achieve the run of his life. A run that changes history. All for the small, relentless nation from the dark cold North.

Textbook examples of humanity.

A Finnish equivalent of Werner Herzog’s Grizzly Man, Hannu has a love and connection to nature that surpasses most. It is the rare lynx in particular that has bitten into Hannu’s heart – so much so that he actually claims to be able to speak its language. So when a dead lynx turns up in his forest, he dons an animal mask, crawls down on all fours and sniffs out the mystery through the mire and thicket. With hauntingly beautiful footage captured by hidden cameras throughout the forest, ‘Lynx Man’ paints a colourful and vivid twilight picture of the natural world around us – and of man’s impact on it. For no matter what Hannu does to live in harmony with the animals, he cannot hide from belonging himself to the species that is the lynx’s worst enemy. It makes sense that most of Juha Suonpää’s atmospheric film takes place in the twilight between dream and reality. Here, the vast forests come alive in Hannu’s hypnotic Night Vision footage of the nocturnal life of the lynx.

Jaakko and Sirpa have never met face to face, but talk on the phone every day. When Jaakko hears news about Sirpa's declining health, he decides to go meet her in another city. It's not the easiest decision, because he's blind and paralyzed from the chest down - and he has to make the journey alone. To get there, Jaakko must rely on the help of five strangers. What could go wrong?

Every morning thousands of children go to school like canaries in a coal mine, measuring toxicity. The film deals with the chain of harassment and the way we all are broken in our own ways.

Scientist Hannele Korhonen has one ultimate passion: to work at the top of the atmospheric science community in the world. She wishes to be totally independent and concentrate on her science while maintaining high ethical values. Her life changes dramatically when she is awarded a 1,5 million USD research grant by the United Arab Emirates. The funder expects her to find ways to make the migratory clouds above the UAE to rain on the country suffering of drought. The opportunity to get proper funding for such a special research is perfect. Gradually she learns that the aim of the funder is to benefit one country, not science at large. Korhonen’s enthusiasm morphs into an ethical dilemma and inner conflicts.

On September 22, 1998, the Iranian poet Hamid Hajizadeh and his nine-year-old son Karun, whose name symbolically refers to Iran's longest river, were brutally murdered in their home in Kerman. The documentary film, based on the statements of the survivors, tries to sensitively reconstruct one of the many terrible motivated events that took place in Iran at the end of the previous century and draws us into the fateful day with the help of detailed shots of the objects in Hamid's study.