Solitary anarchist, Lucien Brouillard ceaselessly fights for his rights and those of his societal peers. His subversive whistleblower activities will bring him endless troubles, and he will begin a real descent into Hell after his former childhood friend, and now judge, Jacque Martineau.

Each married on their side, a teacher and a sociologist meet by chance in Quebec. Political and intellectual discussions followed a brief mad love.

Although he is something of a layabout, and is still living with his mother, her death comes as something of a shock to Louis Pelletier (Gilbert Sicotte). Still, he has hopes of some sort of legacy and believes that his relatives will help him find a job. All his hopes are dashed when, before the funeral, his three aunts come to Quebec City to settle their sister's estate. As grasping and efficient a crew as ever strode a parlor, by the time they leave, the estate has been cleaned to the bones, as if by vultures.

In Quebec 40s, orphans or abandoned children are placed in a gigantic psychiatric hospital where children were locked. Were they sick? No, they simply had no family. To escape this oppressive universe, they created a parallel world: the institution's basement where, in a maze of tunnels, they founded an independent company, with its rituals, spells. A young girl, Agnes, reigns over this underground world that adults seem to tolerate.

Louis is "repo man" who is no stranger to strong-arm tactics in his work, but he has dreamed of becoming an actor since he was a child. When his cousin helps him get an audition, Louis gets the help of a famous actor to secretly help rehearse his scenes. He doesn't even tell his girlfriend Suzie. But Suzie also has a secret; she's pregnant and doesn't want her child to grow up in an atmosphere of violence.

A young man feels compelled to travel with his grand-father. The young man wants to find his father who ran away with the corpse of his ex-wife.

A day in the life of two Québec families reunited for their children's wedding.

After spending a decade in prison, Annie returns to her hometown, and tries to reconnect with her now-adolescent daughter Sophie.