In a small mining community in Northern Sweden, a group of youngsters about to take the leap in the adult age fight with themselves and the world around, while the ground literally trembles under their feet.

Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.

Talk of living wages and religious observances upsets the delicate accord between the boss of a run-down truck yard and his workers in this visually arresting take on the French-Algerian immigrant experience.

Hardly freed from a French prison, Kamel is deported in his native state, Algeria, and discovers a country split between modernity and tradition.

Early on in this engaging historical drama, a marquis (played by the singularly droll Jacques Nolot) offers a peddler a carriage ride on a remote country road. After sizing up his benefactor, the peddler fights motion sickness to deliver his sales pitch: “I have here a few objects of wonder, pious images, pamphlets against men of the cloth, newspapers from Amsterdam and London, holy cards, quills, writing paper…”

Yasmine is a twenty-two-year-old Franco-Maghreb woman who moved away from home to be able to live her life. Her love for N'dé, a thirty-something black African woman is secret. For Eid, she visits her family for a few days. Yasmine finds her sister, her father and her mother at home. Each relationship is revealed and at the same time opens-up the entrenched warfare where everyone lives enclosed in their own world. Yasmine is overwhelmed by this violence.

A biographical short about French fashion designer Gabrielle "Coco" Chanel.

Kamel, a young man from the french ghetto, near Paris, is coming back to France. He was arrested for dealing drugs, he spent five years in jail and was banned from France for two years. He tries, with his family's support, to find a job and live a normal life. But nothing's normal in the ghetto.

Every Tuesday, Mallarmé received guests, and people flocked to his house to hear him. Renoir, Gide, Claudel, Henri de Régnier, Barrès, Debussy and Valéry were among those who listened to these evenings. In their diaries or correspondence, the American poet Sadakitchi Hartman, Mallarmé's son-in-law Edmond Bonniot, and the French poet Jean de Tinan evoke the Master, standing in front of the tiled stove, recounting repartees, aphorisms, judgements, anecdotes, sentences and memories. A documentary mixing photos, objects, drawings, engravings and real shots attempts to restore the place, the small dining room, its furniture, and the ritual of the evenings with the chairs that are brought in, the punch that is offered, the tobacco that is smoked. Jean-Paul Fargier once again brings together these prestigious listeners in the setting he has reconstructed.