In this documentary, Garassino records behind the scenes of the OIANT, based at the National University of Tres de Febrero. An initiatory journey with their musicians: from the investigation of pre-Columbian codices to build lost instruments, the combination with new technologies, to their concerts around the world that are authentic rituals on stage.

In the 1990s, in the city of Mar del Plata, about thirty women disappeared and were murdered, most of them sex workers. A serial killer that was given the name of “El Loco de la Ruta” was blamed for these crimes. Every investigation that had to do with these crimes was half-hearted and defective; the stigmatization of the victims was much more intense than any aim at justice. In a decade pierced by impunity and social discontent, the women, most of them still unorganized, were the only ones to raise their voices and take the cold city streets reclaiming justice.

A depressed former boxing champion gets involved in a big problem with his cousin the same day that he was about to make up with his ex-girlfriend.

In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”

It’s saturday night and Pilar just wants to stay alone at home without being bother. But when the doorbell rings, her plans will soon change.

Pistolero is a fiction that in a certain way is an essay on violence. The story follows the criminal raid of Isidoro Mendoza and his brother Claudio in the rural Argentina during Ongania’s dictatorship, and how the violence of his criminal deeds begins to leave a mark in them. A teacher from Buenos Aires arrives to Isidoro’s life, and love is the possibility to open himself to a new life, but even as he tries, he can not escape the entropy generated by his own drives and actions.

Pistolero is a fiction that in a certain way is an essay on violence. The story follows the criminal raid of Isidoro Mendoza and his brother Claudio in the rural Argentina during Ongania’s dictatorship, and how the violence of his criminal deeds begins to leave a mark in them. A teacher from Buenos Aires arrives to Isidoro’s life, and love is the possibility to open himself to a new life, but even as he tries, he can not escape the entropy generated by his own drives and actions.

A depressed former boxing champion gets involved in a big problem with his cousin the same day that he was about to make up with his ex-girlfriend.

Pistolero is a fiction that in a certain way is an essay on violence. The story follows the criminal raid of Isidoro Mendoza and his brother Claudio in the rural Argentina during Ongania’s dictatorship, and how the violence of his criminal deeds begins to leave a mark in them. A teacher from Buenos Aires arrives to Isidoro’s life, and love is the possibility to open himself to a new life, but even as he tries, he can not escape the entropy generated by his own drives and actions.

Pistolero is a fiction that in a certain way is an essay on violence. The story follows the criminal raid of Isidoro Mendoza and his brother Claudio in the rural Argentina during Ongania’s dictatorship, and how the violence of his criminal deeds begins to leave a mark in them. A teacher from Buenos Aires arrives to Isidoro’s life, and love is the possibility to open himself to a new life, but even as he tries, he can not escape the entropy generated by his own drives and actions.