In 1980s Beirut, Mason Skiles is a former U.S. diplomat who is called back into service to save a colleague from the group that is possibly responsible for his own family's death. Meanwhile, a CIA field agent who is working under cover at the American embassy is tasked with keeping Mason alive and ensuring that the mission is a success.

An adaptation of the successful stage musical based on Victor Hugo's classic novel set in 19th-century France. Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Sue is back on the dating scene. She meets a mysterious biker called Ron at her brother's funeral and sparks fly. But when Ron introduces her to her social media-influence son, Anthony, Sue finds herself in an increasingly surreal battle of wills with this ambitious teenager who, despite showing no signs of talent, is convinced his dance troupe 'Electric Destiny' is tipped for stardom. Will she find the purpose and imagination to bring this little unconventional family together for a chance of happiness?

A disfigured musical genius, hidden away in the Paris Opera House, terrorises the opera company for the unwitting benefit of a young protégée whom he trains and loves. The 25th anniversary of the first public performance of Phantom of the Opera was celebrated with a grand performance at the Royal Albert Hall in London.

Five friends who reunite in an attempt to top their epic pub crawl from 20 years earlier unwittingly become humankind's only hope for survival.

In a run-down community hall on the edge of town, a woman has been cooking lunch for those in need. A choir is starting up, run by a volunteer who's looking for a new beginning. A mother is seeking help in her fight to keep her young daughter from being taken into care. An older man sits silently in the corner, the first to arrive, the last to leave. Outside the rain is falling. Alexander Zeldin’s new play is another uncompromising theatrical experience that goes to the heart of our uncertain times.

Two lowlifes with active fantasy sex lives deliver potatoes to various restaurants and grocers.

A young British officer resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers as symbols of what they view as his cowardice. To redeem his honor, he disguises himself as an Arab and secretly saves their lives.

Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.