As night falls, Andrea records a message for Pablo, whom she hasn't seen for months, like a long letter or a 21st-century novel.

As night falls, Andrea records a message for Pablo, whom she hasn't seen for months, like a long letter or a 21st-century novel.

Miguel travels to Pontevedra, his hometown, with the request of serching for some locations for a movie. His trip takes him back to the place where he grew up, meeting up with some old friends, but also leads him to the possibility of a new relationship: Alicia, a young nurse who will get to calm him down. Miguel will try to finish his work even though he mostly prefers to film the natives he meets, the movements and faces of his friends, the trains coming or the sea. A journey around the uprooting (the cinema) and love.

One night. One city. Madrid. Five conversations. Nine characters. They tell personal stories, invented stories, also an old story that goes on from conversation to conversation, a story from an old Japanese film.

Alicia is twenty-five years old. Alicia does stuff. Alicia is boring herself… that’s what she believes.