Acting
Ángel Magaña (Buenos Aires, August 24, 1915-Ib., November 12, 1982)1 was an Argentine actor. He stood out as a dramatic actor and comedian.
An orphan girl with a mother who lives in the care of her grandfather in the south of the country and the conflict caused by the arrival of her father.
Medical father and son in conflict over two conceptions about the practice of medicine as a result of a bad and inopportune medical practice carried out by the son to a patient of the father.
A man finds out his wife had a lover and abandons her, but first he gains custody of their daughter.
Institutional short film planned and directed by Arturo S. Mom for the First Argentine Film Festival in Mar del Plata. The film shows the technical process by which an Argentine film is produced and emphasizes the professionalism and power of the national film industry. In this way, the story explains in a pedagogical way what is a script, a frame, a camera, a set sketch and a projected background, among others, and how a scene and the soundtrack of a film are recorded.
The film begins with some sequences related to the youth of Dr. Ricardo Gutiérrez, his arrival in Buenos Aires from his native Arrecifes, his law studies and a double frustration, as a writer and in his crush on a young woman who loved another man.
A rancher fleeing from marriage is conquered by a Spanish singer.
An insurance broker and his misadventures for trying to finalize a policy.
A rural businessman is robbed by a corrupt partner and his cadet son and good student aspires to run the business.
A man tries to avenge the death of his sister, a gambling addict. Another man, an ex-convict who whistles when he commits a crime, is reunited with his blind mother.
The film tells the story of the natural son of a former president of Argentina and father of public education in the country, Domingo Faustino Sarmiento, named Domingo, according to the first autobiographical accounts.
An old timbal performer in a puppet theater has a secret past.