A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.

In 1752, a ship arrives in Brazil, bringing doctor and writer Gaspar de Fróes. He keeps a diary about the dangerous trip, the diseases and hunger aboard, his impressions of the new country, and the political struggle between the crowns of Castela and Portugal. In Brazil, he is going to fall in love with the wife of a Portuguese officer.

Tereza tries to leave her past and forge her own destiny and happiness by going through several affairs.

Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.

A Brazilian theatre group that through talent, irony and humour confronted the Brazilian violent dictatorship in the 1970s revolutionising the gay movement worldwide and changing theatre and dance language to an entire generation.

“Naked Eye” is a film-documentary of long-length of the artistic and existential universe of the singer Ney Matogrosso, which proposes to recreate through archive’s images in counterpoint with the current production of the artist, thirty-five years of career marked for inventive and transgressing spectacles, always symphonize with its time. Through a coherent boarding with its intransigent trajectory, the film intends to translate the language musical-corporal of Ney Matogrosso, trying audiovisuals resources that express signs evoked poetical politicians and in the repertoire of the singer. A film-song that that looks for to, ultimately, embody the voices of an artist who searches for a nation.

This album was recorded live in December 2004 at SESC Pinheiros to celebrate the anniversary of the Channel "Canal Brazil". Ney Matogrosso presents a eclectic repertory which include his greatest hits and who received new arrangements with instrumentalists chosen by him, forming a suit of plucked strings of the highest quality.

This incredible partnership brings the stamped voices of Ney Matogrosso and Pedro Luis, in addition to percussion of "A Parede" (The Wall). "Vagabundo" mix semi-unreleased songs of Rio's underground scene with already established songs like "A ordem é samba" (The order is samba) by Jackson do Pandeiro and "Disritmia" (Dysrhythmia).

Film based on Manoel de Barros poetry. Story about poet's life in the swamp area of Brazil (Pantanal) and its wildlife; & his obsession with the sea and his new life in the big metropolis in Brazil.

In the Documentary The singer, composer, writer and bamba Martinho da Vila guides the viewer through the gigantic world of samba investigating the origins of the rhythm, highlighting its importance in different spheres, telling stories about his career and presenting his heart association, Grêmio Recreativo Samba School Unidos de Vila Isabel.