A comedy about two petty criminals Mungos and Tetreb who decide to rob a cafe full of valuable things for New Year's Eve. Robbery goes wrong and they run into a series of problems that they are trying to get out of.

A run-down hotel room, a piano, a maid and the guests who stay there. Life begins, life ends, and lives are changed forever in the piano room.

The last day in a life of a woman see through her own vision.

Nadia, an eighteen-year-old girl disappeared without a trace not having given any prior notice that she was going to do that. Her father, Svetozar goes in search of her without preconditions where he could find her. During that search he discovers the background of growing up in a big city and the world in which his daughter spends her time for which he himself had no idea that there was.

Who will finish the academy, and who will quit? What relationship will survive, and what will fade away? Young cadets have a lot in their lives - ambitions, careers, problems and happy endings.

Đorđe is being summoned to Ada Bojana to meet his father for the first time. Nikola, his dad, is a jailbird and ex-thief. Although everyone thinks Đorđe's gay, he meets Lola and sparks fly. In the meantime, everyone from cops to crime bosses want diamonds from Nikola's last heist.

Through the intimate stories of seven young directors, October is the generational attitude towards Serbia today, shown in different perspectives and through different genres - from black comedy to melodrama, poetic portrait to the socially engaged horror. Motif that binds all of the stories together is the tenth anniversary of the democratic revolution. Each film is taking place on that day, 5th of October in 2010, and each film is differently related to the anniversary and what that event means 10 years after. The film brings fresh visions of the seven young directors who were teenagers at the time of the overthrow of president Milosevic and his regime. On a personal and emotional way they show a complex picture of modern Serbia.

Belgrade, 1999. People go in and out of cafés, and lively conversation echoes all around. As if no one expects the NATO bombings. As if they never even started. But there is tension nonetheless, behind the eyes of people who suppress their fear at any cost. It is in this time and place that Ana, Sloba and Bojan construct their own sense of normality in order to retain their sanity. Three ways to deal with fear. One random sky above.

After years of living in Canada, Maria returns to Serbia to visit her grandmother, Lela, who now resides in a nursing home. Initially overjoyed with her grandmothers excitement to see her, Maria soon realizes that Lela believes she is actually 'Manuela', a character from her favorite soap opera...