Yusuf served nine years in prison for a crime he did not commit. When he returns home, he sees that his wife, who was pregnant at the time of jail, left home. While searching for his wife and child in the snowy town, he also tracks the events that happened to him. This journey, which alternates between the past and the present and becomes complicated as we ask questions, will reach places that Yusuf could not even imagine, and will change his life irrevocably.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.

Bergen, a valuable Turkish arabesque singer, fights to stay afloat despite all the difficulties in her life.

Muharrem faces his life, thoughts, and inner darkness at a party he does not want to attend.

The lives of Erdem, Sevil, and their children Edip and Sevgi in a small town change when they move to Istanbul after Sevil's mother suffers a stroke. Edip has been away from home for ten years, attending boarding school, while Erdem continues to dream of becoming a successful writer. Noticing Sevgi's withdrawal and unhappiness, and suspicious of her sudden changes in behavior, Sevil begins to question some of the events taking place within the home and discovers a secret that has been hidden behind closed doors for years. When Erdem loses his life in a traffic accident, his death leads to the emergence of new secrets within the family. Each member of the small family is left to face the truths they must carry alone for the rest of their lives. What is this secret they cannot even confess to themselves?

Inhospitable at the best of times, the snow-covered mountainscapes of Eastern Anatolia constituted a fatal frontier for many war exiles after the battle of Sarikamish in 1915, and provides a canvas laced with beauty and threat for this bone-chilling survival yarn, the superb debut feature of Alphan Eşeli. Starting out with three characters – a refugee mother and daughter and their grizzled guide – the film traces their daunting trek across this barren terrain to safety, with the Russians encroaching and other stragglers, including a pair of wounded, frostbitten Ottoman soldiers, all orbiting the same burnt-out village they find in their path. Puncturing its aura of ghostly impasse with some shocking narrative reversals, and constantly prickling with the mutual dread of strangers in gruelling extremes, the movie stakes out hugely credible ground next to established Eastern Front war classics (In the Fog, Come and See) while remaining thoroughly its own beast. (Source: LFF programme)

Seniha lives with her brother Halit and his wife Mükerrem. When Nüzhet, the handsome son of the richest family in town, sets his eyes on the married Mükerrem, she is at first disgusted with Nüzhet’s overt sexual innuendo. However, it isn’t long before Mükerrem yields to her lust and thus they embark on an affair. When Seniha finally reveals her sister-in-law’s un-virtuousness to her brother, Seniha has no idea what the consequences will be and how cruelly her destiny will change.

It is about the journey of a famous actor to complete his unfinished story with his daughter.

A woman recovering from an attempted suicide meets an aspiring doctor who takes a keen interest in her efforts to move forward in life through dance.

A group of drug-influenced lumpen teenagers from the suburbs of the city descends into the center where they do not belong, where they are excluded. They adopted a brutal method to seize rights that were not granted to them. Unaware of what will happen to them, cheerful and well-to-do university students are helpless in the face of this gun-wielding mob that suddenly raids the bar where they are having fun.