Yuda, a Chinese immigrant, and his adopted son Kirin, who he saved being eaten by a tiger in the jungle, stand at the head of a massive pirated goods operation that brings in both money and influence. But their empire is crumbling, as corrupt politicians and rival gangs seek to end their power in the city. Yuda is soon got arrested and his dedicated son tries his best to save not just the family business, but his father's reputation.

Three digital short films: 'Influenza' by Bong Joon-ho, 'Kyo-shin' by Sogo Ishii, 'Dance Me to the End of Love' by Yu Lik-wai

Three digital short films: 'Influenza' by Bong Joon-ho, 'Kyo-shin' by Sogo Ishii, 'Dance Me to the End of Love' by Yu Lik-wai

Plastic city suffers from the big chill. The extreme weather conditions prohibits and human existence on the ground surface. An hostel is under this deserted landscape. A doorkeeper of the hostel Kirin is an orphan and nobody knows exactly where he is from. People named him Kirin simply because he earns his life by collecting emptied Kirin beer cans. One day he meets a woman nomad Lanian.

Plastic city suffers from the big chill. The extreme weather conditions prohibits and human existence on the ground surface. An hostel is under this deserted landscape. A doorkeeper of the hostel Kirin is an orphan and nobody knows exactly where he is from. People named him Kirin simply because he earns his life by collecting emptied Kirin beer cans. One day he meets a woman nomad Lanian.

Three provincial girls departed for Beijing. Yu Quin works as a hostess in a night-club, leaving her two-year-old daughter in someone else's care. Hu Jin is a bit part player and runway model. Zun Ji worked as a dancer in a discotheque, but returned to her hometown after she became a drug addict.

In a future century, after the apocalypse, Gui Dao dynasty controls continental Asia. Zhuai and his younger brother Mian are captured and sent to "Prosperity Camp" for reeducation. They soon discover that the camp's aim is to brainwash people with propaganda. Five years later, there's a change in government and they are free again. Zhuai falls in love for the beautiful Xuelan and together they take her to an old industrial city, now deserted. They get themselves a place to live in an abandoned apartment and try to rediscover the little pleasures of life.

In a future century, after the apocalypse, Gui Dao dynasty controls continental Asia. Zhuai and his younger brother Mian are captured and sent to "Prosperity Camp" for reeducation. They soon discover that the camp's aim is to brainwash people with propaganda. Five years later, there's a change in government and they are free again. Zhuai falls in love for the beautiful Xuelan and together they take her to an old industrial city, now deserted. They get themselves a place to live in an abandoned apartment and try to rediscover the little pleasures of life.

The film gets under the skin of a very marginalized group: recent immigrants to Hong Kong from Mainland China. Belying the expectation that they will belong in a territory now returned to China's sovereignty, they find themselves lonely, frustrated, poor, and employable only in the most menial jobs, from elevator service staff to prostitution.

The film gets under the skin of a very marginalized group: recent immigrants to Hong Kong from Mainland China. Belying the expectation that they will belong in a territory now returned to China's sovereignty, they find themselves lonely, frustrated, poor, and employable only in the most menial jobs, from elevator service staff to prostitution.