"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

A biography of spiritual medium and author Francisco Candido Xavier.

After the death of her handsome but good-for-nothing husband Vadinho, Flor, a widow, marries Dr. Teodoro, a respectable gentleman. Hilarity ensues when Vadinho's spirit returns into her life.

Little known actor, Jack Noah, is working on location in the dictatorship of Parador at the time the dictator dies. The dictator's right hand man, Roberto, makes Jack an offer he cannot refuse.. to play the dictator. Jack's acting skills fool the masses but not close friends and employees of the dictator.

Discovering your wife is sleeping with your boss can make a man do strange things. For a Samba-obsessed London clerk, robbing a bank and boarding the first flight to Rio are just the beginning.

Após perder a esposa e a caminho do suicídio, um homem se depara com O Livro dos Espíritos e começa uma jornada de transformação interior rumo aos mistérios da vida espiritual e suas influências no mundo material.

Three mothers see their reality become completely, they are: Ruth, whose teenage son, Raul, faces problems with drugs; Elisa, trying to make up for the absence of her husband giving full attention to the child, the little Theo, and Lara, teacher who faces the dilemma of an unplanned pregnancy. These three women, living in different times of their lives, seeking comfort next to Chico Xavier. And Karl reporter remains insisting on interviewing the medium, even without being prepared for it.

A small poor community called Javé is under threat of being flooded by a new dam that is being built, and the only way to prevent this is to prove the town's historical value. As most of the inhabitants are illiterate, they have no choice but to ask for the help of Antônio Biá, a man who has been ostracized ever since it was discovered that he had sent out letters with lies about their reputations as a way to keep his job in Javé's seldom-used post office. He now has the task of documenting people's memories of how the city was founded, yet each inhabitant has his or her own version of what happened.

A photo-journalist goes to Brazil to investigate a savage crime boss. She becomes infatuated with the story.

An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.