
Acting
A Canadian musician and author. He is the drummer for the rock band Rush. Peart grew up in Port Dalhousie, Ontario (now part of St. Catharines). During adolescence, he floated from regional band to regional band in pursuit of a career as a full-time drummer. After a discouraging stint in England to concentrate on his music, Peart returned home, where he joined a local Toronto band, Rush, in the summer of 1974. Early in his career, Peart's performance style was deeply rooted in hard rock. He drew most of his inspiration from drummers such as Keith Moon and John Bonham, players who were at the forefront of the British hard rock scene. As time passed, however, he began to emulate jazz and big band musicians Gene Krupa and Buddy Rich. In 1994, Peart became a friend and pupil of jazz instructor Freddie Gruber. It was during this time that Peart decided to revamp his playing style by incorporating jazz and swing components. Gruber was also responsible for introducing him to the products of Drum Workshop, the company whose products Peart currently endorses. Peart has received numerous awards for his musical performances, and is known for his technical proficiency and stamina. In addition to being a musician, Peart is also a prolific writer, having published several memoirs about his travels. Peart is also Rush's primary lyricist. In writing lyrics for Rush, Peart addresses universal themes and diverse subject matter including science fiction, fantasy, and philosophy, as well as secular, humanitarian and libertarian themes. All four of his books are travel-based non-fiction, though they diverge into his life and these subjects as well. Peart currently resides in Santa Monica, California with his wife, photographer Carrie Nuttall, and daughter, Olivia Louise. He also has a home in the Laurentian Mountains of Quebec, and spends time in Toronto for recording purposes. Description above from the Wikipedia article Neil Peart, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Molson Canadian Rocks for Toronto was a benefit rock concert that was held in Toronto, Ontario, Canada on July 30, 2003. It was also known as "Toronto Rocks,""Stars 4 SARS," "SARSStock,","SARSfest," "SARS-a-palooza," the "SARS concert," or, more descriptively, "The Rolling Stones SARS Benefit Concert." Estimated to have between 450,000 and 500,000 people attending the concert, it is the largest outdoor ticketed event in Canadian history, and one of the largest in North American history.

Following the success of Rush: Cinema Strangiato - Director's Cut in movie theaters worldwide, Anthem Entertainment and Trafalgar Releasing give Rush fans around the world the opportunity to experience it again – this time from the comfort of home. In celebration 40 years of Moving Pictures, this global streaming release features the “director’s cut” of 2019's R40+ event that was just shown in cinemas, giving audiences a special look into R40 LIVE, with a setlist including this year’s new additions of bonus tracks "One Little Victory" and “Red Barchetta” as well as "Cygnus X-1 / “The Story So Far” featuring Neil's final recorded drum solo masterpiece.

Legendary rock band Rush plays the Maracana Stadium in Rio de Janeiro, Brazil, on the final night of the band's 2002 Vapor Trails tour, in front of 40,000 fans.

The Super Deluxe package features an elaborate 40th anniversary cover treatment by longtime Rush creative director Hugh Syme, who has created a new artwork for each of the album's six songs, and an extensive 12,000-word essay by Rock historian Rob Bowman. Also included are several exclusive items: a unique King's Ring (with custom velvet pouch and neck chain); two lithographs with original artwork by Hugh Syme; a special 12-inch turntable mat (with distinctive artwork by Hugh Syme); a reproduction of the 1978 A Farewell To Kings tour programme.

Hemispheres, Rush’s sixth studio album, was originally released in October 1978, and it built upon the adventurous sonic template the band established on its acclaimed 1977 effort, A Farewell To Kings. The album’s first track, “Cygnus X-1 Book II: Hemispheres,” encompassed the entirety of Side 1 on the original release and was the logical, heady continuation of the epic album-ending Kings track, “Cygnus X-1.” Side 2 commenced with the hard-driving commentary on English culture “Circumstances,” followed by the socially aware and environmentally conscious FM radio hit “The Trees,” and concluded with the instrumental tour de force and longtime concert favorite, “La Villa Strangiato.”

An in-depth look at the Canadian rock band Rush, chronicling the band's musical evolution from their progressive rock sound of the '70s to their current heavy rock style.

On this video, Neil Peart documents the "work in progress" of recording Rush's "Test for Echo" album, as well as the work in progress of Neil himself and his endless apprenticeship to the art of drumming. A complete studio performance of each song is captured by four cameras as Neil lays down the fiery, creative drumming for which he is known-but with new finesse gained from two years of devotion to study and practice. Following each performance, Neil presetlts a specific analysis of the drum part's relation to other elements in the song, as well as breaking down and demonstrating key sections, fills, and solos.

Peter Klaven is a successful real estate agent who, upon getting engaged to the woman of his dreams, Zooey, discovers, to his dismay and chagrin, that he has no male friend close enough to serve as his Best Man. Peter immediately sets out to rectify the situation, embarking on a series of bizarre and awkward "man-dates."

Exit...Stage Left was filmed in Montreal Canada during Rush's 1981 World Tour that encompassed Canada, the United States and Europe and reached a total audience in excess of one million people. The footage incorporated the output of five separate 16mm cameras, both hand-held and stationary, which operated in front of the stage behind a barricade, and in various strategic onstage locations. During the performance at the Montreal forum, the audio was recorded by Le Mobile, with Terry Brown and Guy Charbonneau at the controls. The audio was then digitally mixed at Le Studio in Morin Heights, Quebec, where Moving Pictures, Permanent Waves, and Signals were recorded and mixed. The result, the Exit...Stage Left movie (a different performance than that found on the live Exit...Stage Left album), represents one hour of highlights from Rush's two hour stage show, visualizing material from their albums Moving Pictures, Permanent Waves, Hemispheres, and A Farewell to Kings.

Whilst Rush have always been considered one of Rock's greatest hidden treasures, with complex, intricate musicianship, it can never be said that Music Video was their forté. With this collection of 'hit' videos from Rush we can see why. Almost befittingly, Rush's best videos appear to be those that simply demonstrate their playing. Studio footage of Rush is rare and welcomed on this DVD.

Mr. Red, a jobless drifter, arrives to inquire about a janitorial position at a sprawling complex owned by the mysterious Mr. Green. Upon entering, he discovers his employer has a rather unorthodox application process. Mr. Red must battle juiced-up giants, take on endless waves of clones and unlock his latent superhuman abilities - all to stay alive, and most importantly get (and keep) the job! An anthology of the ‘Shock’ short-film series, ‘Shock’ 1-3 created and animated by Philips ‘Terkoiz’ Lacanlale, ‘Shock Tribute’, a fan-made interlude by Jcamelo, and ‘Shock MORE’, a fan-made sequel by David Borja.

Red Sector A was a paradise...for man's machines. The domed city was home to the last of the human race, where they lived in comfort, served by their robotic servants. Until one day a mysterious force turns the robots against their masters, and the machines cast the people out of Red Sector A into the wastelands outside. Years later, the robots have collapsed into dust without human maintenance, leaving two young people - Woody and Andrea - to live in the city. But the city is on the verge of a exploding as the shield generator approaches meltdown. Andrea and Woody have a few hours to escape Red Sector A, but the unknown force that caused the revolution is still present, and has it's own plans for them.

