At once a spoof and a homage to the Italian crime films of the seventies. It's an entire feature film's worth of material condensed into a glorious five minutes. There was a lot of thought put into how Neon Killer was constructed. The aging evokes not just 35mm but VHS too. The British actors don't only pretend to be Italian actors but badly dub themselves into English too. A glorious title sequence that pretends at being a 1986 Italian movie with the names of cast and crew translated into fake Italian equivalents. Vivid lighting changes from green to blue to red in successive scenes. There are a lot of cuts to keep it moving along and even the segues ring very true. There are so many gore shots that many of them get a mere second or two of screen time, death by fire, acid, drill, hammer, machete, electrocution, even a leg severing pendulum.

A priest keeps the city clean from sinners.

It's shear bloody lunacy as two Yankee valley girls take a wrong turning in darkest England.

A gruesome homage to the cult Amicus anthology Asylum, Cradle of Fear unfolds four screamplays all linked by the unspeakable need of an incarcerated child killer to wreak vengeance on those responsible for his imprisonment. Helped by deranged angel Dani Filth, who leaves a trail of charnel house death in his crimson wake, the cannibal convict forces two Goth vamps to endure a one night stand from hell, two tough female robbers to see through each other, an obscenely rich coke-head to chop up more than a few lines and an internet surfer to descend into madness when he uncovers the ultimate web depravity.

The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.