
Acting
Negar Javaherian is an actress who was born in 1983 in Tehran, Iran. She entered in cinema with “I'm Taraneh, 15” directed by Rasoul Sadr Ameli in 2001. She has won the Crystal Simorgh of Best First Role Actress from the 28th Fajr Film Festival for “Gold and Copper” by Houmayoon Asadian. She has also been nominated for the Crystal Simorgh of Best First Role Actress from 31th Fajr Film Festival for “The Painting Pool” by Maziar Miri. Her most notable activities are “Melbourne” by Nima Javidi and “Khabgah-e dokhtaran” by Mohammad Hossein Latifi.

centers on an Iranian Army family living in the northern part of Iran whose life changed during the Anglo-Soviet invasion of Iran in 1941

Maryam (Negar Javaherian) and Reza (Shahab Hosseini) are different from other people, it's not just a simple difference, but a very big difference. They must try to prove to others they have solved the big difference with the miracle of love ...

The story is about the world of a small family with familiar dreams and not so remarkable problems. The mother is trying to lead everything to save her family, but small events disarrange all her plans.

A Tehran mullah-in-training struggles to take care of his ailing wife and their children in this profoundly moving melodrama. A film of near-universal appeal, it puts a human face on Iran's Muslim clergy with its unusual tale of a man forced by hardship to become a better husband and father. Seyed Reza has just moved with his family to Tehran so he can study the Koran, and he relies on his lovely wife Zahra to look after their two young children and weave the intricate rugs that earn them a living. But one evening Zahra collapses and is taken to the hospital, where she's diagnosed with multiple sclerosis. Scarcely able to process the tragedy, Seyed is left to cook, change diapers, walk his daughter to school and take his toddler son with him to his classes, where peers and elders treat him with scorn. But Seyed eventually learns to cope, his prayers and devotional studies taking on deeper meaning as he attends to the hard nightly work of rug weaving, getting through with a heavy ...

Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.

Amir and Sara are a young couple on their way to Melbourne to continue their studies. However, just a few hours before the departure of their flight, they are unintentionally involved in a tragic event.

Nahal is around thirty and in her fourth month of pregnancy. During a routine check-up she learns that her baby has died and she now faces a curettage abortion in two days’ time. When she tries to address the subject, neither her mother nor her husband give her a chance to speak.

Rahman (Parviz Parastuyi) falls in love with a Christan woman from Lebanon. She was a Christan but she becomes Muslim before her second meeting with Rahman. So he decides to marry her.

A theatre directed by Amir Reza Kouhestani.

A man, who has some kind of a disease and eats a lot, enters a poor and large family to marry their mother.
