During the sea battle which took place between the Ottoman Empire and the Italians, a ship which had been seized in the Mediterranean Sea is brought to Istanbul, and a young wounded lady named Francesca, the daughter of the killed Captain, becomes a slave for Hezarfen Ahmet Celebi.

Losing his father at a very young age, Bekir lives with his mother Rabia and grandfather İlyas, who jointly run a haberdashery store. When İlyas passes away, to spare him grief young Bekir is told that “his beloved grandfather has gone to the moon and become Grandpa Moon.”

Cazibe is a woman in her late thirties, who has never got married or had a relationship with a man in her life. She lives with her old mother and her uncle who feels an attraction towards her. The lonely woman, whose only existence is her small room, spends all her time in this old room, dreaming and fantasising about her ex-lover.

Mahmut and Abidin work as comedians at a night club, Mahmut is honest yet Abidin is sly. A deaf and mute girl named Kumru is brought to work in the night club.

The struggle of a mother who tries to understand her son by putting herself in his shoes after his death.

Part filmmaking exercise and part philosophical study, this film is a dual journey for the creator: an exploration of her cinematic language during her studies, and an inquiry into the human impulse to domesticate the wild at the expense of primal instinct.

Based on William Shakespeare's Romeo and Juliet, set in Istanbul, the tragic story of three heroes chasing an unlikely dream, running towards their sad end in a Shakespearean manner.

A triptych of literary adaptations explores past, present and future in rural Turkey. “Düne Özlem” (from Hulki Aktunç’s Bir Yergöstericinin Hayatı): A once-famed traveling critic returns after years to the cinema that launched his career—and finds it unrecognizably transformed. “Bugüne Özlem” (from Kemal Tahir’s Arabacı): A horse-drawn cart driver picks up two stranger women en route to a village—unaware they intend to marry him off to their spinster relative. “Yarına Özlem” (from Zeyyat Selimoğlu’s Bıldırcınlar): An old captain haunted by a fatal shipwreck readies quail-hunting with his grandson, even as his daughter-in-law waits in vain for her migrant husband to return from Germany. Each segment poignantly probes longing— for what was, what is, and what might yet come.

Deniz returns to her hometown to attend her widowed mother's wedding. The anger, fear, and guilt she thought she'd left behind, resurface during the visit. As her mother leaves her the family house, a tragedy haunts her. She can't stop thinking about her father drowning at sea. Moreover, she feels her mother blames her and has abandoned her for it. She realizes she won't be able to move on like her mother unless she faces her problems head-on. Following a confrontation, Deniz accepts the past and takes a real step into adulthood. Sitting by the sea, she is at peace. The sea is no longer a threat but a sign of liberation. She jumps in.

A wig-maker from Istanbul, who suffers from cancer, becomes obsessed with a woman who enters his shop one day.