Based on the work of the same name by the Russian writer G. Danilevsky.

Lost film directed by Oleksandr Dovzhenko (his first film) and Favst Lopatynskyi. It is a satire of the NEP period. Vasia, the son of a factory’s worker, is attracted by the romance of adventures. And he goes to look for them. He saves a drowning drunkard who tries to beat him. Vasia escapes from him in a vehicle parked on the shore. However, the vehicle belongs to a superintendent who, when he does not find it, stages its theft. Meanwhile, Vasia exposes priests in the church. As a result, the church is turned into a cinema, and the priest becomes a cinema technician. And finally, Vasia’s last deed is catching a criminal at home and denouncing him to the militia.

The year 1929. A “shock worker” from a tractor plant visits a film studio premises and is furious to see fake stage designs for a kitsch production about a Soviet life. He refuses to help the crew with his tractor, but is happy to ask one of the cameramen to go with him to visit an actual Soviet village. There they witness the birth of the kolkhoz and the dekulakization of wealthy villagers. Then they are transported to the future, to the year 1932, when the first five-year plan is done and the commune-sovkhoz is established. Movies can move faster than time, but the pace of change in Soviet society is even faster than that. In the movie, the entrance gate of the Odesa film factory, where all of the indoors scenes were shot, can be seen. The outdoors scenes were filmed all over Eastern Ukraine and Southern Russia (Kuban): at Kharkiv factories, in Ukrainian villages and in the 240 ha-sovkhoz “Gigant” in Rostov region, the latter representing the future after the five-year plan.