Naresh Mitra Movies, TV Shows, and Filmography
Naresh Mitra
Directing
Biography
Naresh Mitra (18 May 1888 – 1968) was a Bengali actor, director and screenwriter. Naresh Mitra was born in 1888 in Agartala, Tripura, British India. He studied law at the University of Calcutta. He started his acting career in 1922 in Minerva Theatre. In 1923, Mitra joined Star Theatre in Kolkata and starred in several plays, mostly in the role of anti-hero. He worked and acted in several films for the Taj Mahal Company, East India Film, and Kali Films. Mitra directed Devdas in a silent version produced by Eastern Film Syndicate in 1928. This is the first film adaptation of Devdas, the novel of Sharatchandra Chattopadhyay. He was also associated with the Bengali folk Jatra.
Filmography Movies
Acting
Bou Thakuranir Haat
Bou Thakuranir Haat is a Bengali drama film directed by Naresh Mitra based on a novel of Rabindranath Tagore in the same name, published in 1883. The film is based on the real-life story of Jessore Raj Pratapaditya. Pratapaditya is described as an antagonist more than a protagonist in this film.
Devdas
Andhare Alo
A love-triangle story revolving around an upper-class Bengali hero. Satyendra, the son of a zamindar, experiences the conflict between family duty and the modern world in terms of his desire for an 11-year-old virgin bride, Radharani, and the nurturing and self-sacrificing courtesan Bijli. It depicts several stereotypical scenes like drunkenness and a courtesan's dance.
Giribala
Giribala explores the life of a neglected wife who finds liberation and success through the world of theatre. Based on a Rabindranath Tagore short story, the film follows Giribala as she navigates a loveless marriage and ultimately transforms her life by embracing her talents. A powerful story of female empowerment and societal critique.
Maanbhanjan
Maanbhanjan explores the complexities of love, obsession, and identity. The story follows a neglected wife who finds solace and empowerment through the transformative world of theater. As she navigates the complexities of her marriage and the allure of the stage, she challenges societal norms and redefines her own destiny.
Durgeshnandini
Durgeshnandini is a sweeping historical drama set against the backdrop of 16th-century India. This epic tale follows the intertwined destinies of Jagat Singh, a Mughal general, and Tilottama, a Bengali princess. Their love story unfolds amidst the turbulent Pathan-Mughal conflicts, leading to a series of dramatic events, including betrayal, loss, and ultimate triumph.
Bekar Nashan
A 1938 Bengali Drama Film directed by Jyotish Bandyopadhyay.
Niyoti
A 1951 Bengali Thriller Film directed by Naresh Mitra.
Kankal
Kankal is a social horror drama which shows how a spirit can fulfil its desire with its intense power. The story begins with Abhay being killed by a skeleton and police come for the inspection. Dr. Sanyal takes us back to the story where Tarala got married to Rattan, a rich man. But Tarala's sister-in-law's brother, Abhay was in love with Tarala whom Tarala didn't like for his bad attitude and lower education. So to take the revenge, Abhay married Rattan's sister. By moulding Rattan, Abhay took all his wealth and tried to rape Tarala. Though Rattan came to save her, he was being driven out by Abhay. In this situation Tarala passes away unknowingly and Abhay tried to hide her dead body by throwing it in the river. Rattan unable to find his wife became mad and roamed around in search for her.
Kshudha
Kshudha is a 1960 Bengali Drama film directed by Panchamitra.
Production
Andhare Alo
A love-triangle story revolving around an upper-class Bengali hero. Satyendra, the son of a zamindar, experiences the conflict between family duty and the modern world in terms of his desire for an 11-year-old virgin bride, Radharani, and the nurturing and self-sacrificing courtesan Bijli. It depicts several stereotypical scenes like drunkenness and a courtesan's dance.
Maanbhanjan
Maanbhanjan explores the complexities of love, obsession, and identity. The story follows a neglected wife who finds solace and empowerment through the transformative world of theater. As she navigates the complexities of her marriage and the allure of the stage, she challenges societal norms and redefines her own destiny.
Pandit Mashai
Pandit Mashai
Niyoti
A 1951 Bengali Thriller Film directed by Naresh Mitra.
Kankal
Kankal is a social horror drama which shows how a spirit can fulfil its desire with its intense power. The story begins with Abhay being killed by a skeleton and police come for the inspection. Dr. Sanyal takes us back to the story where Tarala got married to Rattan, a rich man. But Tarala's sister-in-law's brother, Abhay was in love with Tarala whom Tarala didn't like for his bad attitude and lower education. So to take the revenge, Abhay married Rattan's sister. By moulding Rattan, Abhay took all his wealth and tried to rape Tarala. Though Rattan came to save her, he was being driven out by Abhay. In this situation Tarala passes away unknowingly and Abhay tried to hide her dead body by throwing it in the river. Rattan unable to find his wife became mad and roamed around in search for her.
Kankal
Kankal is a social horror drama which shows how a spirit can fulfil its desire with its intense power. The story begins with Abhay being killed by a skeleton and police come for the inspection. Dr. Sanyal takes us back to the story where Tarala got married to Rattan, a rich man. But Tarala's sister-in-law's brother, Abhay was in love with Tarala whom Tarala didn't like for his bad attitude and lower education. So to take the revenge, Abhay married Rattan's sister. By moulding Rattan, Abhay took all his wealth and tried to rape Tarala. Though Rattan came to save her, he was being driven out by Abhay. In this situation Tarala passes away unknowingly and Abhay tried to hide her dead body by throwing it in the river. Rattan unable to find his wife became mad and roamed around in search for her.
Gora
Gora and Mahim were two sons of Krishna Dayal Babu. From childhood, Bijay and Gora were friends. Through an accident, Bijay was introduced to Paresh Babu's family. Paresh was a Bramhin. So Gora did not like Bijay's visit to that house. Gora's mother was very anxious about Gora's Hindusim. Krishna Dayal was also very annoyed being an orthodox Hindu. As per his father's request, Gora went to Paresh Babu's house. Paresh babu's wife Bhadra Sundari was not happy seeing Gora there. But Gora had a real conflict with Haran Babu. The marriage of Haran Babu and Suchitra was almost fixed. The reason of the conflict was that, Haran Babu always thought of himself to be a social reformer and saviour of Brahma religion.
Annapurnar Mandir
Ramshankar is a poor man who lives with his family. He arranges his daughter's marriage with an old man. Soon, she returns home as a widow and Ramshankar realises his mistake.
Bou Thakuranir Haat
Bou Thakuranir Haat is a Bengali drama film directed by Naresh Mitra based on a novel of Rabindranath Tagore in the same name, published in 1883. The film is based on the real-life story of Jessore Raj Pratapaditya. Pratapaditya is described as an antagonist more than a protagonist in this film.
Gallery
