Naomi Childers | WatchedThis
Naomi Childers
Acting
Biography
From Wikipedia Naomi Childers (November 15, 1892 – May 9, 1964) was an American silent film actress whose career lasted until the mid-20th century. She was born of English parentage in Pottstown, Pennsylvania. Later in life she took pride in being descended from a long line of British ancestors. Her childhood was spent in St. Louis, Missouri where she was educated in the Maryville convent. Childers began acting at the age of three, reciting at a notable function. She played a Chopin number at an adult recital at the age of eight. When she was ten Childers performed the title roles, in both Red Riding Hood and Alice in Wonderland, at the Odeon Theater in St. Louis. In 1912 she played in The Great Name and Madame X. The theatrical presentations featured Henry Kolker and Dorothy Donnelly. On Broadway Childers appeared in Ready Money. Childers was in movies beginning in 1913. She appeared in The Turn of the Road (1915) and The Writing on the Wall (1916). She was associated with the Vitagraph company for four years. Her most popular role was in Womanhood, the Glory of the Nation. In this film she performed a most modern characterization of Joan of Arc. In 1917 she began working with the Commonwealth Company. Childers possessed a preference for comedy, yet she was in constant demand to play more serious roles. Her character work in motion pictures was a strong asset. In the 1919 Sam Goldwyn film Lord and Lady Algy, Childers was cast in the leading feminine role. She depicted the wife of the young Lord Algy, played by Tom Moore. As a titled Englishwoman she revealed a cold exterior, but retained a warm nature. When Louis B. Mayer discovered Childers had come into hard times in later years, he granted her a lifetime contract from MGM. She continued to play numerous, often uncredited, roles into the early 1950s. Childers died in Hollywood, California in 1964, age 71. She is buried at Valhalla Memorial Park Cemetery.
Filmography Movies
Acting
The Divorcee
Based on the 1907 play 'Lady Frederick' by W. Somerset Maugham, this tells the story of Betsy O'Hara in her pursuit of romance and love.
White Heat
In this melodrama filmed on location in Hawaii, a sugar plantation manager finds himself falling in love with a native girl, but instead of committing to her, he marries a socially prominent young woman from San Francisco. The spoiled girl does not easily adapt to the rigors of plantation life and she gets terribly bored. She is just about to give in to the romantic overtures of a persistent native when her former lover shows up. The husband gets jealous and is about to attack him when the wife sets fire to the cane field. The husband's native lover saves him from death. Afterward, his wife leaves to be with her old flame, and the manager is free to be with the woman he's loved all along.
The Story That Couldn't Be Printed
This John Nesbitt's Passing Parade short tells the story of John Peter Zenger, who in Colonial New York was tried for sedition based on what he printed in his newspaper.
Mrs. Parkington
In this family saga, Mrs. Parkington recounts the story of her life, beginning as a hotel maid in frontier Nevada where she is swept off her feet by mine owner and financier Augustus Parkington. He moves them to New York, tries to remake her into a society woman, and establishes their home among the wealthiest of New York's high society. Family and social life is not always peaceful, however, and she guides us, in flashbacks, through the rises and falls of the Parkington family fortunes.
Their Mutual Friend
Disgusted by the unsanitary conditions of the flat in which she lives, Patty Gordon, a pretty young artist, writes anonymously to John Richardson, asking him to investigate the conditions of his tenements. Plainly dressed, Richardson goes down to the tenements and rents an apartment for himself, so that he may see firsthand whether or not there is cause for complaint. He is accompanied by his dog, Dick, a valuable thoroughbred collie, who, seeing Patty's door open, enters and makes friends with her.
The Gay Lord Quex
Having followed the road of romance through many countries, Lord Quex finally falls in love with Muriel Eden. After resisting Lord Quex because of his reputation, Muriel finally capitulates to his charms and agrees to marry him. In her heart, however, Muriel still treasures an affection for Caption Bastling, a fortune hunting womanizer, and when Muriel is told of Lord Quex's continuing contact with the Duchess of Dowager, a situation brought about through the scheming of the Duchess, Muriel turns to Bastling and agrees to meet him at her friend Sophie Fullgarney's manicurist shop.
The Portrait
Keen competition is aroused among a group of young artists in New York City by the announcement of a valuable prize for the greatest portrait of the year, six months being given as the time limit of the competition.
Iron and Steel
Herr Ludwig Kronitz is a king in his own works and rules with a controlling hand. He is known as the "Man of Iron." He has made a fortune out of the manufacture of guns, and is hard and unscrupulous.
Week-End at the Waldorf
Anything can happen during a weekend at New York's Waldorf-Astoria: a glamorous movie star meets a world-weary war correspondent and mistakes him for a jewel thief; a soldier learns that without an operation he'll die and so looks for one last romance with a beautiful but ambitious stenographer; a cub reporter tries to get the goods on a shady man's dealing with a foreign potentate.
Shadows of Suspicion
When the Great War begins, English sportsman Cyril Hammersley is thought to be a slacker because he refuses to join the army for pacifistic reasons. His American fiancée, Doris Mathers, knows that he is not a coward, but she questions his patriotism when Sir John Rizzio intimates that Hammersly may be a German spy.
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