Acting
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1905: Heinrich Vogeler is celebrated as the star of German Jugendstil. But self-doubt increasingly torments him. In search of new inspirations he moves to the First World War and returns as a changed man.
Two men try and fail to unhinge a stone.
Konnie, a respected musician in the right-wing scene, loses her reputation when she incorporates feminist and queer content into her music. In order to rehabilitate herself, she uses the outsider punk Rudi, who wants to attack a Nazi pub. But both end up fighting a battle for belonging - who will be left standing?
Ferdi thinks he's ugly – but likes the fact Jona is interested in him. Maybe because she's blind. What Ferdi doesn't suspect: She's just pretending to be blind to be able to live cheaply in subsidized housing. How long can she maintain her charade? Can love, which is supposed to make you blind, even work out that way? Director Tom Lass takes a closer look, shooting with blind actors and old Berlin buddies, acting the lead himself – paying tribute to a way of life beyond our way of seeing the world.
Stefan has been building his own road-legal racing car for 12 years. Every Friday after work, he drives to his parents' house in Brandenburg to continue working on it in the garage. For him, this car is far more than just a vehicle, but his life's work and obsession. For him, there will never be an end to this work, because he is always trying to improve, optimize and prove that he can push the limits of what is technically possible one step further. David is also looking for a borderline experience. For him, this lies in the thrill of speed and vehicle control. When his rear axle breaks out at 100 km/h on a forest road, he feels alive. He uses the car to test his own limits. He accepts the risks involved. Die Schaltgetriebenen is a film about the power of passion, about the search for meaning and the urge to prove oneself.