It's 2055 and Steevyshady, an obsessive Mimi Madamour stan, tells us of their idol’s mad destiny from the very peak of her career in 2005, all the way down to the pits of hell, a downfall brought about by her love story with punk icon Billie Kohler. Over the course of half a century we follow these drama queens as they top the charts and set sail on the course of mad queer love.

From the open air theater in the Bois de Boulogne the sex workers Heden, Claudia and Samantha, tell about the woods which is their work place.

On a Sunday morning, a group of young revelers enter a large, vacated apartment. Tired drag queens mix with debauched grannies, drunken vagrants and shy virgins over the course of the morning.

Today is a day like any other for Kalthoum and her girlfriends. They sip cocktails, look for sex on the Internet, impatiently wait for love and once again, endure the transphobic insults of strangers. But today it’s not going to be like that: the four transgender friends will imagine their revenge.

A vibrant anthology of LGBTQ+ short films and music videos that delve into the complexities of youth, identity, and desire. This diverse collection showcases a range of cinematic voices—both emerging and established—exploring the exhilaration, vulnerability, and confusion of coming-of-age through stories that celebrate queer love, self-discovery, and the breaking of societal boundaries. Blending narrative shorts, experimental visuals, and music-driven pieces, the anthology offers an evocative, multifaceted portrait of innocence transformed.

Dorothy’s a film director and a bit of a loser. One night, after a few beers, she lets loose on her script when a call from her producer kills her buzz: enough with the queer comedies, it’s time to start making mainstream films. To avoid sinking to the deepest depths of despair, Dorothy seeks comfort in her favorite TV show "Romy the Vampire Slayer". Unfortunately, her own demons show up.

Inspired by experimental LGBTQIA+ cinema of the 1970s, this film explores the blossoming of lesbian desire through an aesthetic and dreamlike approach, from the sensuality of a statue to the repressed eroticism between women.

Mina is in Cannes to perform three nights during the Festival. She hangs out in cozy clubs and hotel rooms, moving from the arms of lovers to those of friends. There is Mina the performer, but also Mina the Italian singer of the 1970s, whom Mina summons to the stage every night.