Memory Lost (2019-2021) recounts a life lived through a lens of drug addiction. This captivating, beautiful and haunting journey unfolds through an assemblage of intimate and personal imagery to offer a poignant reflection on memory and the darkness of addiction.

Memory Lost (2019-2021) recounts a life lived through a lens of drug addiction. This captivating, beautiful and haunting journey unfolds through an assemblage of intimate and personal imagery to offer a poignant reflection on memory and the darkness of addiction.

The Other Side was produced as an homage to Nan Goldin’s transgender friends whom she lived with and photographed from 1972 to 2010. The work celebrates the “gender euphoria” of her friends, in their possibilities for transcendence.

When Nicole, a young copy-shop employee, is hired to translate an ancient Chinese manuscript, she soon finds that the document has strange powers that little by little begin to exert an eerie influence over her life.

Divorced private detective Francois Maneri is assigned by his agency to investigate the disappearance of Rachel, a young student who has been missing for six months. After interviewing Rachel's family, friends and classmates, Francois is attacked and injured by an anonymous assailant and becomes reluctant to continue his search. But when Rachel's body is found, Francois is drawn deeper into the investigation as he discovers the dead girl's secret life.

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

The life of internationally renowned artist and activist Nan Goldin is told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her personal fight to hold the Sackler family accountable for the overdose crisis.

The Contacts collection is an invitation to discover the artistic approach of the greatest contemporary photographers from an original angle. Through a series of images (contact sheets, proofs, prints and slides), with a commentary by the photographer, the viewer enters the secret world of their creation and is guided into the heart of the photographic creative process.

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

Sisters, Saints, & Sibyls, a landmark new multimedia installation that focuses on the experience of “women who are trapped, literally and figuratively, in both psychological and mythical contexts.” Thematically, the three-screen-installation explores Goldin’s personal narrative of her sister Barbara’s institutionalization and suicide at an early age, presented alongside tracings of both the mythological history of Saint Barbara and the artist’s own contemporary history of hospitalization.