In this deranged and unpredictable comedy, a passionate aficionado of bread stages a revolution against a tyrannical baker.

In the last summer of my twenties, a drinking party for three women who have been close friends since college. The girls, who are unable to become adults due to the impasse of youth, recall the days when they were young when they could dream freely and take a new step forward.

The storyline is basically the same as in the original work, although there are many parts where logic is omitted. The dialogue and narration have been reconfigured considerably, with some of the speakers being changed, but almost all of it is composed of words extracted from the original work. However, with the exception of Kindaichi, all the characters are played by women, the dialogue is almost barbed, and the clothing deviates slightly from what is appropriate to the situation, thus eliminating any sense of reality. The reason why Nanako's jumper and Washio's trousers were needed is not clear, as the murderer swims to Nanako's room in her clothes. In addition, Lieutenant Kamio's subordinate is simplified to only one detective, Aoki.

Yuta (Abera Hidenobu), a monk with a passion for photography, captures in his viewfinder "that girl" (Ogura Yuna) who passes by his temple each day. One day as he is focused on taking photos, he has a reunion with childhood friend Yuka (Kano Yura). In the brief time they reminisce, she suddenly pressures him for a kiss. Moreover, he witnesses "that girl" meet a guy she got to know through a dating app.

Futa (Watanabe Shu) relocates from the city to the countryside and is being hassled for loan payments for the farmland and house that he bought. His partner Minori (Goriki Ayame) sees what is going on and pulls out a mysterious ring to use for the repayments. But from there, the two get pulled into a world where fantasy and reality are blurred. Tale of love with a dose of fantasy and mystery from Mystic Shrine Maiden producer Genda Yasuaki and Isobe Teppei, who grabbed the spotlight with F is for Future. Shot by Sone Takeshi of One Cut of the Dead.

"Takehiko Kanroji, notorious for a man of power harassment, an executive officer of the publishing company "Yudansha" has been transferred from Nagoya to the Tokyo head office. His mission is starting a magazine. However, the theme is ""sweets"" that Kanroji hates most. Even so, he tries to tackle the given work with all his heart, but his subordinates fed up with his overbearing attitude.