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From Wikipedia, the free encyclopedia Ignacio Cerdà (born 1969) is a Spanish film director best known for his controversial 1994 film, 'Aftermath'. One year after producing that movie, he was accused of being the person behind the infamous alien autopsy footage. However, this accusation has been withdrawn since after Ray Santilli was found to be the director. Aftermath is the second in a trilogy of short films known as 'La Trilogia De La Muerte' (The Trilogy of Death). The first film, 'Awakening', runs for only 8 minutes. Created in 1990, it tells of a boy for whom time stops upon falling asleep in a classroom, only later realising that he had actually died and was experiencing an out-of-body phenomena. The 1994 sequel, 'Aftermath', runs at a significantly longer time of 32 minutes, which depicts defilement, mutilation, and necrophilia (see Necrophilia in popular culture for more). The 35 minute finale, 'Genesis' (1998), shows the life of a sculptor whose artwork comes to life while he turns to stone, his work gradually consuming him. The trilogy represents the three stages of life, and in each instance, Cerdà shows how vulnerable we are to the whims of elements beyond our control; time, others, and material possessions respectively. Cerdà also directed The Abandoned which is about an American film producer who returns to her homeland, Russia, to discover the truth about her family history. The film was first released in the US as part of the After Dark Horrorfest in November 2006. The film received a stand alone release in theaters in February 2007. The DVD was released on June 19, 2007. Description above from the Wikipedia article Nacho Cerdà, licensed under CC-BY-SA, full list of contributors on Wikipedia.

A high school student falls asleep while sitting in class. When he wakes up, all time is frozen, except for him.

For 11 years, the FantAsia Film Festival in Montreal has been the premiere showcase in North America of fantasy, horror and action films from around the world. Every July, crowds line up around the block before each screening; the festival itself lasts approximately 3 weeks. In the Belly of the Beast chronicles the intense struggles that five filmmakers in attendance went through to complete their films. Crew rebellions, corporate embezzlers, and bankrupt studios are just a few of the memories conjured up during candid interviews, while the camera captures the latest challenge: the public acceptance - or rejection - of their films. Included in Dark Sky Films's Manson Family DVD and Blu-ray releases.

The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.

Jose, a devout Catholic, loses his faith when his family is tragically taken from him.

King of Horror, legendary actor, scriptwriter and director, Paul Naschy is regarded as the Spanish Lon Chaney and the most prolific filmmaker dedicated to the fantastic cinema in Spain.

Moved by the closure of a cinema, a young director decides to investigate if the theaters of Barcelona have their days numbered. During the five years of the documentary's shooting, she will enter the closed world of the Catalan exhibition, watch the transformation of this art and business and live unrepeatable experiences in the bowels of many cinemas.
An unsettling journey into the darkest corners of human desire. EROS & ARTHANATOS, directed by Domiziano Cristopharo and Cristo Gil Diaz, is an unfiltered documentary exploring the taboo world of necrophilia. Through historical accounts, psychological insights, and cinematic representations, the film dissects the intersection of love, death, and obsession. Blending expert interviews, archival footage, and artistic interpretations, EROS & ARTHANATOS challenges conventional morality, delving into the disturbing yet fascinating realm where eroticism and mortality collide.

Marie, a film producer, returns to her native Russia to find her birth parents. She quickly learns they are dead, and she has inherited their long-empty farmhouse. At the farm, she meets Nicolai, who claims to be her twin brother. Events take a terrifying turn when the two spot a pair of ghastly doppelgangers and the house itself seems to propel them toward a fate they should have met 40 years earlier.

Marie, a film producer, returns to her native Russia to find her birth parents. She quickly learns they are dead, and she has inherited their long-empty farmhouse. At the farm, she meets Nicolai, who claims to be her twin brother. Events take a terrifying turn when the two spot a pair of ghastly doppelgangers and the house itself seems to propel them toward a fate they should have met 40 years earlier.

When the others leave for the night, the last mortician begins to fondle the corpses. He quickly moves to the corpse of a young woman who died in a car crash.

When the others leave for the night, the last mortician begins to fondle the corpses. He quickly moves to the corpse of a young woman who died in a car crash.

A high school student falls asleep while sitting in class. When he wakes up, all time is frozen, except for him.

A high school student falls asleep while sitting in class. When he wakes up, all time is frozen, except for him.

A sculptor is traumatized by the death of his wife in a car accident. He builds a sculpture in her memory. As the lifelike sculpture begins to bleed through the cracks of clay, the sculptor's flesh mutates and crumbles away...

The trilogy represents the three stages of life, and in each instance, Cerdà shows how vulnerable we are to the whims of elements beyond our control; time, others, and material possessions respectively

A sculptor is traumatized by the death of his wife in a car accident. He builds a sculpture in her memory. As the lifelike sculpture begins to bleed through the cracks of clay, the sculptor's flesh mutates and crumbles away...

When the others leave for the night, the last mortician begins to fondle the corpses. He quickly moves to the corpse of a young woman who died in a car crash.
