
Acting
Néstor Igor Cantillana (born July 19, 1975 in Santiago) is a Chilean actor in theater, movies and TV. He made his debut in the Soap Opera world in the role of Patricio Tepano in Iorana (1998) from TVN, he then performed some other characters, among them, an AIDS victim, a common employee, a frustrated detective and a young homosexual doctor. Description above from the Wikipedia article Néstor Cantillana, licensed under CC-BY-SA, full list of contributors on Wikipedia.

The most successful and famous bank robber in Chilean history. Now, convinced that he has been the victim of other people's mistakes, he decides to return to crime to take revenge for his fate.

Radio Corazón recreates Chile's most successful radio show of all time. Composed of 3 fun, sexy and romantic short films based on true stories as told by the show's listeners to "Rumpy", an unparalleled radio host.

Nino is a spoiled child who, immersed by a strong fever, is absorbed by a mysterious painting. Even though his mother had warned him, the trick that made him fall prey of the painting is unleashed. And so, Nino does nothing but get lost in a maze of images trying to return home.

Transvestite is the character David must play for the annual school play. Bullying will be his main enemy as he plays the character.

In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote ‘Yes’ or ‘No’ to Pinochet extending his rule for another eight years. Opposition leaders for the ‘No’ vote persuade a brash young advertising executive, René Saavedra, to spearhead their campaign. Against all odds, with scant resources and while under scrutiny by the despot’s minions, Saavedra and his team devise an audacious plan to win the election and set Chile free.

Stories from the intimacy of a private space launched to the screen. How we are as mothers, as fathers or as children. Stories of pain, of hope, of love, or of facing that which was never faced. Disturbing testimonies, but also full of humanity. Crises make us reflect and leave a record of who we are, in case we cease to exist. Visual notes that make up a film about our being and what we say when all certainties collapse.

A child disappears from his parents sight in a mysterious but haunting forest after a punishment.

A Chilean student becomes involved in a feminist movement at her university. Suddenly, she becomes a central figure in the movement.

Ana has just been widowed by a suicidal painter. One day, she discovers a painting in which he painted her in a disturbing way. Ana begins to obsess about how he saw her, developing a psychotic picture.

In the winter of 1978, under Chile’s dictatorship in Santiago, disabled architectural model maker Raúl Peralta leads a quiet life caring for his ailing mother. His routine is shattered by the arrival of new neighbors whose sinister activities seem to hide dark secrets.

Stories from the intimacy of a private space launched to the screen. How we are as mothers, as fathers or as children. Stories of pain, of hope, of love, or of facing that which was never faced. Disturbing testimonies, but also full of humanity. Crises make us reflect and leave a record of who we are, in case we cease to exist. Visual notes that make up a film about our being and what we say when all certainties collapse.

Stories from the intimacy of a private space launched to the screen. How we are as mothers, as fathers or as children. Stories of pain, of hope, of love, or of facing that which was never faced. Disturbing testimonies, but also full of humanity. Crises make us reflect and leave a record of who we are, in case we cease to exist. Visual notes that make up a film about our being and what we say when all certainties collapse.

At 68 years old and due to the depression and anguish that partly come with being an old man in exile in Sweden, Igor and his memories will decide where to go next.

At 68 years old and due to the depression and anguish that partly come with being an old man in exile in Sweden, Igor and his memories will decide where to go next.

At 68 years old and due to the depression and anguish that partly come with being an old man in exile in Sweden, Igor and his memories will decide where to go next.



