A concert with no audience from Yorushika filmed in the Yokohama Hakkeijima Sea Paradise aquarium.

The original short animation depicts the growth of a girl and her encounter with a mysterious creature.

I broke up with the woman I lived with for several years, A painter who lives in a room by the sea. I stayed with him for a few days, Or animals visit every few months. Sometimes a canary, Sometimes it's a frog, a chameleon, a rabbit, an owl, a winged insect... On a beautiful moonlit night, someone taught me a long time ago. The only piano song you can play When I was playing (Beethoven, Piano Sonata No. 14), He notices an interesting fact. While the animals are playing the piano,Dancing a strange dance.

A man and woman, now living apart, reunite after a long time. They sit on a bench in the shade of the trees and talk. The man speaks in a tone like he's talking to himself, about strange dreams he's been having often lately. "In some of them, I'm an animal, a plant, a tree, and a human." Even though it's a dream, it feels vividly real, as if he's become that thing. “Yeah, that's what it is... a previous life.”

A concert with no audience from Yorushika filmed in the Yokohama Hakkeijima Sea Paradise aquarium.

I broke up with the woman I lived with for several years, A painter who lives in a room by the sea. I stayed with him for a few days, Or animals visit every few months. Sometimes a canary, Sometimes it's a frog, a chameleon, a rabbit, an owl, a winged insect... On a beautiful moonlit night, someone taught me a long time ago. The only piano song you can play When I was playing (Beethoven, Piano Sonata No. 14), He notices an interesting fact. While the animals are playing the piano,Dancing a strange dance.

Kyotaro Ichikawa is a painfully awkward middle school boy deep in the throes of eighth-grader syndrome, spending his days obsessed reading morbid books like The Encyclopedia of Murder and anatomical diagrams. His quiet, isolated world is suddenly turned upside down when Anna Yamada, the classroom star, unexpectedly steps into his life. Whether she’s casually eating rice balls in the library, humming to herself, or suddenly closing the distance between them, Yamada’s unpredictable behavior leaves Ichikawa constantly off balance. And before he knows it, she is occupying his everyday thoughts. As they spend more time together, Yamada too begins to find herself drawn to Ichikawa in ways she never expected. It’s the first time either of them has truly understood what it means to “like” someone. Through misunderstandings and clumsy, heartfelt emotions, the distance between them slowly, but surely, begins to close.