Phil Kelly (played by William Heffernan) is the anti-hero; a restless teenager imbued with natural hurling ability and a strong aversion to studying. The location is not fictitious but instead it’s the very real Fermoy in County Cork which is a welcome touch. Like much of 1980s smalltown Ireland it’s a claustrophobic place that drives people away but inexplicably retains a strange sort of hold on them. The latter is exemplified by Gina Moxley’s character, the tempestuous Mary Hartnett who has returned after a stint in London. The other members of their gang are languid Martin (Vincent Murphy), uptight Willy, and mousey Rosie who carries a torch for Phil.

A young woman's penchant for sensational Gothic novels leads to misunderstandings in the matters of the heart.

Myles Breen wrote Language UnBecoming A Lady and, as Bobby, a gay man, he performs it solo, aided only by the songs of the divas Bobby adores. Language UnBecoming A Lady is both camp and very real and earthy. It’s a measure of the writing and Myles Breen’s performance – in particular, how he slips in and out of high camp and then into a more grounded, concrete self in order to distil the complexity of Bobby – that the play cuts the right balance between sentimentality and artistry. It not only tells the tale of a gay man’s progress into maturity but we also get a touching historical journey through the Ireland of the last 30 years and how our perspective and humanity has changed for the better." - Irish Theatre Magazine

Wesley, an awkward, plant-enthused community radio host has his daily life and radio show documented by a youth film group. We watch as his simple, lonely life unfolds over the course of this mocumentary, with some appearances from family and friends (questionable) sprinkled throughout. However, beyond the laughs and heart-wrenching moments, a somewhat darker truth of Wesley's life reveals itself in the film's final act.

Six friends plan to meet-up for a few pints in Flannery’s bar-but which Flannery’s were they talking about?