The film is considered one of the first Moroccan cinematic tapes that tried to convey Moroccan reality with its traditions and customs to the cinema screen in a bold way, especially the issue of sex in Moroccan society, an issue that cinematographic works have always avoided before.

"Bahmad" An old man was involved in the Indochina War in the 1950s. He retains the heroines of this era and continues to tell his granddaughter "Heba", and becomes her mythical hero, who continues to list his epics to her friends. But her mother (the son's wife) was hating him, she would succeed in persuading her husband to expel his father from the house.Then he will face the unknown in the paths of the city of Marrakech. What the old man lost in his son found him in the likenesses of the marginalized who embraced him.

Abbas a retired postman, who has spent his life harming people, assuming no responsibility for others, is one day sentenced to death for involvement in a fatal accident. One day before his execution, a ghost visits him in his cell to sign a pact: he will gain freedom for 24 hours and will try to reconcile with all the people for whom he has hurt in the past, if he successful, he will avoid the death penalty. Will Abbass succeed in accomplishing his mission?

Stolen Childhood is a Moroccan film by Hakim Noury.[1] It is one of Noury's most popular and influential films. The film is set in Casablanca and tells the story of the abuse of a young servant girl.

In a small, self-sufficient Tunisian fishing village, German developers set up a hotel infrastructure, with the complicity of local councillors. The lives of the villagers are turned upside down.