The American documentary makers - The Maysles Brothers, were given exclusive access to almost every minute of The Beatles first American visit. The first 3 days of film footage shot in New York was rushed over to Granada Television in London who quickly edited the footage for a TV special called "Yeah! Yeah! Yeah! The Beatles in New York" which was broadcast on February 12, 1964 at 10:25pm. The majority of the footage in this UK special featured their arrival at JFK Airport; Arriving at their hotel room; Fans outside the Plaza Hotel; footage from inside their hotel room with Murray The K; Murray The K interviewing them on the phone from WINS radio station; Walking through Central Park for a photo session; Limo ride to CBC TV Studios; Ringo & Murray The K dancing at the Peppermint Lounge.

This documentary film is mostly about the New York Pop Festival, which began on July 17, 1970 at Randall's Island, NY, and lasted for three days

Record executives want a highly-regarded record producer to focus on a white pop act whom they feel has the sound America wants. To keep his creative integrity, Buckmaster carefully begins to fight the system that has made him the respected producer he has become.

New York, USA, February 1964. Five grueling days in the life of George, John, Paul and Ringo, the Fab Four, The Beatles: the hysterical fan reception at JFK airport; several press conferences; in their rooms at the Plaza Hotel; in the backstage at the Ed Sullivan Show; hanging out with the legendary DJ Murray the K; and the frantic return home.

John and Yoko in the presidential suite at the Hilton Amsterdam, which they had decorated with hand-drawn signs above their bed reading "Bed Peace." They invited the global press into their room to discuss peace for 12 hours every day.

The Beatles First US Visit uniquely chronicles the inside story of the two remarkable weeks when Beatlemania first ignited America. The pioneering Maysles Brothers who filmed at the shoulders of John, Paul, George and Ringo, innovated an intimate documentary style of film-making which set the benchmark for rock and roll cinematography that remains to this day.