In the prologue Sharon Kimm and Mickey Reid are childhood friends in a tenement neighborhood but are separated when Sharon is placed in an orphanage. In the story we see Sharon as a young Hollywood star whose quick rise to fame leaves her self-centered, superficial, and a spendthrift. Ironically, the film that skyrocketed her to fame was written by Mickey. But her success is brief; and when it comes crashing to earth, Mickey is there to pick up the pieces.

Wealthy Cynthia is in love with not-so-wealthy Roger, who is married to Marcia. The threesome is terribly modern about the situation, and Marcia will gladly divorce Roger if Cynthia agrees to a financial settlement. But Cynthia's wealth is in jeopardy because her trust fund will expire if she is not married by a certain date. To satisfy that condition, Cynthia arranges to marry Hagon Derk, who is condemned to die for a crime he didn't commit. She pays him so he can provide for his little sister. But at the last minute, Derk is freed when the true criminal is discovered. Expecting to be a rich widow, Cynthia finds herself married to a man she doesn't know and doesn't want to.

Molly, the eldest child of a group of orphans being used as slaves on a farm hidden deep in a swamp, must rescue the others when their cruel master decides that one of them will be disposed of.

When a lawsuit deprives a rich woman, Mary Fenton, of her wealth, she decides to impersonate another woman, Mary Cosgrove. The situation becomes sticky when Cosgroge turns up and demands Fenton be arrested.

Tasia (Dolores del Río), a beautiful dancer lower class of Russia, falls heir to the throne Prince, Grand Duke Eugene (Charles Farrell), but only admired from a distance. At the outbreak of the Russian Revolution, the Duke falls in captivity and this allows Tasia be near him.

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

Drama of two girls who married into different layers of society.

Harris Levi (Fred Warren) brings up Meg (Shirley Mason), who was left in his father's pawnshop by her mother. Anxious that she have a good environment, Harris takes her to live with his friend Robert. When her mother returns to claim Meg, Robert is revealed to be both Meg's father and the man with whom Harris' wife eloped. Meg is happily reunited with her parents and her sweetheart, Chick Saxe.

Following a series of misunderstandings, wealthy young aristocrat Gerry Lansing deserts his wife Alix, whom he believes has eloped with his friend Alan Wayne. He sails for South America, leaving no trace of his whereabouts. In Peru, he becomes a plantation owner and marries local girl Margarita.

Michael Frazer, newly rich from his invention of a can-opener, has drifted away from Jane, his wife, who persists in her old-fashioned ways. He advises his daughter Marcia to marry "someone congenial so that when love goes you will have common interests." Neighboring architect Jack Ballard obtains the contract to design Frazer's house through the friendship of his attractive wife, Emily, with Frazer. Emily and Frazer become intimate friends, arousing the concern of Mrs. Frazer and Jack Ballard. Determined to teach his wife a lesson and win her back, Jack asks Marcia Frazer to run away with him. She consents but later reconsiders and they return home. Frazer realizes that Mrs. Ballard meant nothing to him, and Jack is reunited with his wife.