A small task force of the Turkish army have to defend a relay station in the middle of nowhere against a possible terrorist raid.

Çilek's biggest dream is to go to Istanbul and become a famous singer. Kaan, on the other hand, has been secretly watching Çilek for years and wants to declare his love for her. Their paths cross one night at a bar owned by Hayri, Çilek's boyfriend, where she is singing. Kaan promises Çilek that he will help her fulfill her dreams, and Çilek responds by offering him her love. Neither of them can resist this tempting deal. Taking advantage of a time when Hayri is not in town, they set off for Istanbul without looking back, chasing their dreams, but they are drawn into an extraordinary adventure with Hayri and his men, as well as the police, hot on their heels.

Police summoned to an apartment building make a horrifying discovery.

Eyeing another shot at soccer club presidency, Ahmet draws up a plan that mires him in complicated nuptial agreements and a clumsy kidnapping scheme.

A squad of unsuspecting cops go through a trapdoor to Hell when they stumble upon a Black Mass in an abandoned building.

Inhospitable at the best of times, the snow-covered mountainscapes of Eastern Anatolia constituted a fatal frontier for many war exiles after the battle of Sarikamish in 1915, and provides a canvas laced with beauty and threat for this bone-chilling survival yarn, the superb debut feature of Alphan Eşeli. Starting out with three characters – a refugee mother and daughter and their grizzled guide – the film traces their daunting trek across this barren terrain to safety, with the Russians encroaching and other stragglers, including a pair of wounded, frostbitten Ottoman soldiers, all orbiting the same burnt-out village they find in their path. Puncturing its aura of ghostly impasse with some shocking narrative reversals, and constantly prickling with the mutual dread of strangers in gruelling extremes, the movie stakes out hugely credible ground next to established Eastern Front war classics (In the Fog, Come and See) while remaining thoroughly its own beast. (Source: LFF programme)

It is near future story in Anatolia. There is no indication of time and place, an post-apocalyptic world that ruled over by primitive technology. Zait, a loyal mine worker who works for a mine factory which is managed by unknowns, declares war against the factory.

An imam talks at a burial ceremony in the town. As the burial proceeds, it is understood that there is no one at the funeral and everyone participates in the funeral via live broadcast. The main idea of ​​the film is the change of the shape of the funerals which are very important especially in Anatolia, in the digitalizing world. The film asks, “Will the funeral ceremonies, the most crowded meetings in Turkey, be defeated by the digital world?”

Bahri and Merve, who live in the same town, have been in love with each other since childhood. The young couple, who grew up together, now want to crown their relationship with marriage. Their goal is to get married and settle in Istanbul to live the life they have been dreaming of for years. However, there is a major obstacle standing in the way of their marriage.

Andy is an autistic man who lives with his mother. His situation is watching films regularly and confusing real occasions with movie scenes. One day, he misses the school bus. He decides to reach the school by himself and catch Ms. Sun's class. On the road he is obliged to struggle with daily circumstances.