Arzu ile Kamber, another film shot by Lütfi Ömer Akad alongside Tahir ile Zühre in Iraq, is one of Akad's attempts at fairy-tale historical films. In folk literature, the story of Arzu ile Kamber, like those of Tahir ile Zühre, Leyla ile Mecnun, and Ferhat ile Şirin, is a tragic love story passed down from generation to generation, so heartbreaking that it inspired elegies to be written in their names. Arzu ile Kamber, the first film adaptation of this story about the love between Kamber, the son of a merchant, and Arzu, the daughter of a subaşı, is a fairy-tale-like story that recounts the past.Arzu ile Kamber, one of two films shot by Lütfi Ömer Akad in Iraq over a period of six months with a large crew, is another of Akad's "failed but useful experiments," like Tahir ile Zühre.

Mustafa and Ayse are two young people who love each other. Ayse's father wants to marry his daughter to Ahmet, one of the richest in the region. Ahmet and his men kill everyone in Mustafa's family. Revenge begins.

The beautiful Sultan is married to Osman, the son of a wealthy farmer who offers the highest dowry. Osman, who has been discharged from the army due to advanced heart disease, is unable to fulfill his duties as Sultan's husband. The young girl endures all the hardships life throws at her with patience and tries to continue living. However, fearing that the dowry money will go to waste, the family resorts to one of the most cruel customs after losing their son, forcing Sultan to stay in the house. They marry her off to their son, who is barely able to walk. A regional drama story from Anatolia...

The story of a doctor who loses his memory in Africa, returns to Istanbul, and falls in love again with his ex-girlfriend, whom he married.

The story of a young villager who killed his army buddy for a blood feud, married his sister, and then turned himself in to the authorities.

Widowed at a young age, a woman tries to raise her son.

Üç tekerlekli bisiklet (Tricycle aka The Three-Wheeled Bicycle, I962) is a love story about a lonely woman with a small child and the man she hides in her house, who is chased and trapped, one of the staple motifs of Lutfi Akad’s cinema.