Maybe the best thing to come out of Scandinavia during the hippie years was, in fact, the story of a radical libertarian and a hedonist capitalist. Their friendship, forged by being outsiders in a conformist country, took them through years of adulation and success, with slight detours into the welcoming arms of vilification and imprisonment. A joyride through taxation, mass travel, hookers and politics. Not feeling too constrained by historical facts, director Christoffer Boe's story of Simon Spies and Mogens Glistrup covers just a few of their decades in a tale of warmth and humour, defiance and eccentricity.

Ditte and Louise are two middle-aged actresses who realize that the only thing the industry has left to offer them are roles like mothers or as elderly prostitutes. That is why Ditte makes a radical decision: She dresses up like a man.

A gifted engineer flees his austere roots to pursue wealth and success among Copenhagen's elite. As he rises through the ranks of society, the pride propelling him threatens to be his ruin.

Emma has a perfectly normal family until one day it turns out her dad, Thomas, is transgender. As Thomas becomes Agnete, both father and daughter struggle to hold on to what they had while accepting that everything has changed.