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Steven Patrick Morrissey, professionally known as Morrissey, is an English singer, songwriter and author. He rose to prominence as the lead singer of the indie rock band The Smiths, which was active from 1982 to 1987.

This in-depth retrospective surveys the history and music of the Smiths via interviews with the band, expert commentary and insights from insiders, including producer Stephen Street. Performance footage and TV clips round out the program.

A portrait of musician David Johansen from Martin Scorsese and David Tedeschi featuring a live performance at Café Carlyle in New York City, where he performs as Buster Poindexter singing the Johansen songbook, along with new and archival interviews.

Thirteen Smiths' recordings, half of them in a club with a live audience. These alternate with five rock videos, two directed by Derek Jarman (Panic and Ask), two by Tim Broad (Girlfriend in a Coma and Stop Me...), and one by Paula Grief and Richard Levine (How Soon Is Now?). It concludes with Jarman's short film, "The Queen Is Dead," with a three-song soundtrack. The rock videos, particularly Jarman's, are filled with multiple and superimposed images, changing tints, and little narrative coherence; they get their pace from the music's rhythm. Androgyny, dancing children, belching smokestacks, graffiti, angry young men, a waif in a cap: collages of modern alienation.

Featuring interviews by famous fans and followers, this rare documentary encapsulates the essence of the controversial, enigmatic, and deliciously melancholic bard.

Live at the City Hall in Sheffield, England on the 7th of February and the Empress Ballroom in Blackpool, England on the 8th of February, 1995. Setlist: 1) Billy Budd 2) Have-A-Go-Merchant 3) Spring-Heeled Jim 4) You’re the One for Me, Fatty 5) The More You Ignore Me, the Closer I Get 6) Whatever Happens, I Love You 7) We’ll Let You Know 8) Jack the Ripper 9) Why Don’t You Find Out for Yourself 10) The National Front Disco 11) Moon River [Henry Mancini cover] 12) Hold On to Your Friends 13) Boxers 14) Used to Be a Sweet Boy 15) Now My Heart Is Full 16) Speedway

Filmed live during Morrissey’s most intimate gig in decades at the Hollywood High School in Los Angeles on 2 March 2013, this is the first authorised Morrissey film for nine years and marks 25 years of the solo career of one of the world’s most iconic and enigmatic performers. The film opens with fans talking about their unwavering devotion to the singer and the unique appeal of this unusual venue – a striking contrast to the sold out arena concert at the Staples Center on the previous night. Tickets to the concert in the 1,800-seater school auditorium were sold out in 12 seconds and this now legendary concert became Morrissey’s penultimate performance on the US Tour. Featuring many classic tracks from the artist’s prolific repertoire including Meat Is Murder, Everyday Is Like Sunday, Please, Please Please Let Me Get What I Want and The Boy With The Thorn In His Side, Morrissey 25: Live is an unmissable cinema event for fans worldwide.

Live at the Hollywood Bowl in Los Angeles, California, USA on the 8th of June, 2007. Setlist: 1) The Queen Is Dead [The Smiths] 2) The Last of the Famous International Playboys 3) Ganglord 4) The National Front Disco 5) Let Me Kiss You 6) All You Need Is Me 7) The Boy With the Thorn in His Side [The Smiths] 8) Irish Blood, English Heart 9) Disappointed 10) I've Changed My Plea to Guilty 11) Everyday Is Like Sunday 12) In the Future When All's Well 13) I Will See You in Far-Off Places 14) Girlfriend in a Coma [The Smiths] 15) First of the Gang to Die 16) I Just Want to See the Boy Happy 17) You Have Killed Me 18) That's How People Grow Up 19) Life Is a Pigsty 20) How Soon Is Now? [The Smiths] 21) Please, Please, Please Let Me Get What I Want [The Smiths] 22) You're Gonna Need Someone on Your Side 23) There Is a Light That Never Goes Out [The Smiths]

Live at the Coca-Cola Starplex Amphitheatre in Dallas, Texas, USA on the 17th of June, 1991. Setlist: 1) The Last of the Famous International Playboys 2) Interesting Drug 3) Piccadilly Palare 4) Trash [New York Dolls cover] 5) Sing Your Life 6) King Leer 7) Asian Rut 8) Mute Witness 9) November Spawned a Monster 10) Will Never Marry 11) Angel, Angel, Down We Go Together 12) There's a Place in Hell for Me and My Friends 13) That's Entertainment [The Jam cover] 14) Our Frank 15) Suedehead 16) Everyday Is Like Sunday *Originally released on VHS in 1992 (and later released on DVD in 2000), the video was filmed in front of a sell out crowd of 11,000 people. This film includes footage of the infamous stage invasion which caused Morrissey to exit the stage halfway through the first encore, leaving guitarist Alain Whyte on vocals. The set consisted of songs featured on his first two studio albums Viva Hate and Kill Uncle, as well as the compilation album Bona Drag.

Seven promotional films by Morrissey, released initially on VHS in 1990 and then on DVD in 2004. It was certified Gold by the RIAA on 18 January 1991. The title refers to Morrissey's childhood home in Hulme, Manchester. The L is silent, so it sounds like "humourist". The music videos: 1) The Last of the Famous International Playboys 2) Sister I'm a Poet 3) Everyday is Like Sunday 4) Interesting Drug 5) Suedehead 6) Ouija Board, Ouija Board 7) November Spawned a Monster
Morrissey travels Latin America during the South American leg of the ‘Oye Esteban’ tour.

A bridge is falling, and now just one hero can save us... what if he make a mistake?.

British artist Phil Collins has made work in conflicted geopolitical sites around the world, including Baghdad, Belfast, Bogotá, and Ramallah, creating nuanced representations of people and places. In a departure from many documentaries and site-specific practice, Collins engages politics and pop culture in tandem, often soliciting the participation of the communities in which he works. His video installation Dünya Dinlemiyor (Turkish for "the world won't listen") features young people in Istanbul performing karaoke versions of songs by the 1980s band The Smiths. Within the politically fraught context of Istanbul, The Smiths' melancholic pop takes on new poignancy, asking us to listen to what the rest of the world won't. Collins was a nominee for the 2006 Turner Prize.

The sixteen minute video suggests – through an exquisitely constructed montage of found film and video footage, appropriated song fragments, and a meticulously researched voice-over narrative – that Morrissey, the former lead singer of The Smiths, somehow anticipated the 1997 death of Princess Diana via cryptic clues and asides secreted in his lyrics or embedded in images on Smiths’ record sleeves or in their pop videos. Focusing on a track-by-track analysis of The Smiths’ seminal 1986 Album “The Queen Is Dead” Laumann’s film adopts the form of a conspiracy-theory-cum-urban-myth, and despite its labyrinthine twists-and turns, seems to make absolute sense: somehow proving its case, suggesting that perhaps Morrissey – albeit aided and abetted by extraterrestrial forces – did indeed possess clairvoyant powers.
