On a stormy night in the summer of 1982, police arrive in Zanka’s Pioneer City. A small GDR boy, Peter Hartmann, is being investigated by two investigators. Peter, a young teacher immensely popular with children, spent the summer under the supervision of Michael Bartha. The educator is apparently deeply saddened by the disappearance of the baby boy, so he is ready to question the investigators who are questioning him, but they are asking more and more shocking questions about the child.

Maja could hardly be happier. She loves her husband Konrad and their two children more than anything and things are also going well professionally, having recently taken up a promising position as a molecular biologist in a renowned clinic after completing her doctorate. But one day, a motorcycle accident involving her husband has serious consequences. After a minor operation on his leg went without a hitch, Konrad's condition deteriorates rapidly a little later. It soon transpires that he has been infected with dangerous germs in hospital. As the hospital treating him is Maja's new workplace, her boss Professor Adler, who would prefer to sweep the matter under the carpet, is not at all happy for her to investigate on her own. And she soon discovers some shocking facts.

Stillness, observing and the absurd are the secrets behind Ilse Aichinger’s poetry, as brought to life in the film WHERE I LIVE. Figures from stories come to life in a house, whose stories sink in upon themselves. Also, never before shown Super-8 footage shot by Aichinger, inspires awe at our ability to find ourselves, as well as the ways in which we find ourselves. Taking a sensuous approach, the film engages with Ilse Aichinger’s work, which stands out in the 20th century for its singularity whilst remaining timeless in its existential dimension.