Singer and actress Monika Načeva presents a musical project called Zdivočelí koně (Wild Horses), which takes you on a journey into the arid steppes of the past in her own unique way. Monika, accompanied by drummer Markéta Pták from the band LO/VE and keyboardist David Kabzan from Rány těla, has set out to set the poems of banned artists from the 1960s to 1980s (Pavel Zajíček, Ivan Martin Jirous, Vladimíra Čerepková, Václav Hrabě, and others) to music.

Most people have left Earth, for unknown reasons and to unknown destinations. The story follows three men who live together and support each other. They use an old military warehouse full of supplies and food to survive. They try to maintain their human values. There are other groups of people on Earth who are barely surviving and resorting to cannibalism. After a conflict with one such group, the trio must leave their warehouse. They end up in a former prison, which seems like paradise to them. The prison is inhabited by a young girl. After further difficulties, everything is coming to a final move.

Loosely inspired by a real criminal court case. It took place in Prague and the Tatra Mountains between 1926 and 1928 and was later described as one of the biggest, if not the biggest, cases the pre-Munich Republic had ever seen. Nevertheless, the police and judiciary at the time failed to clarify and close the case in such a way that it would not raise legitimate questions long after the trial had ended. Even though the court handed down its verdicts, the case remained open in a way, and this is also reflected in the script, which remained faithful to the facts in its basic outline," says screenwriter Václav Šašek, author of the two-part television production The Trial of the Martyn Murderers...

This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.

Passionate Emma and impulsive but introverted Tomáš fall in love. They are like two missing puzzle pieces coming together. But Emma's pornographic past inevitably catches up with them.

The film is based on a legendary school film of Tomáš Vorel, called INg (1985). The storyline stays the same - a young engineer finds a new job and wants to work, this proves to be impossible in the last days of the communist era.

The juxtaposition of animals locked in cages in a zoo and people shackled by the confinement of the city has not lost its impact to this day. The amorous enchantment, passing and bonding of the two protagonists, a young conservationist and a paleontologist, takes place against a backdrop of subtly affected period realities. The debuting filmmakers, screenwriter Jaroslav Vanča and director Václav Křístek, have attempted to spice up the story with the character of a mysterious man who turns out to be the writer of the events just narrated.

This film is about life of a family, which lived in Prague since since 1968 to 1980. Father of the family comes from Ukraine and so every year someone from Ukraine to visit this family and to buy something more better than is in Ukraine. As the times go by, the friens of family live in Austria. And now for change the family visit "a better life" in west Europe and they found out how it is to be something second-rate.