Youssef is a hotshot anesthesiologist who often sleeps in his car for privacy. Laila is the careerist host of a late night radio call-in show. These two members of Cairo's elite, lost souls traveling parallel paths of longing and disconnection, are the principal fish in Yousry Nasrallah's The Aquarium, a meditation on the intellectual capital of the Middle East, now bent under the sway of repression in all its forms.

Reem is a young political activist who works for an advertisement company. As she tries to uncover the truth behind the incide of the Battle of the Camel, she accompanies her friend Farah to Nazlet Al Seman where she meets and falls for Mahmoud, one of the people involved in the incident.

Garden City, a small district of Cairo, is far from being without importance. In the early 19th century, it was the center of international political affairs in the Egyptian capital. The film takes us on a tour of these abandoned villas, huge reception halls, foreign embassies, endangered businesses and rooftop terraces. The houses become witnesses as they reveal the turmoil of history. These houses and their residents speak with one voice to describe hope, fall and survival. Far from the politically correct, a piece of truth appears, far from the clichés.