This film is a homage to the life, career and fears of Slovenian actor Peter Musevski. He was always Pero for me, not Peter.

When the water supply cuts out in a small town, turning the dystopian society into a war zone, three hustlers struggle to find the real enemy before it's too late.

These are stories from the urban environment, the main characters are people of different generations and come from different walks of life.

Young teacher Sonja tries to resolve a quarrel between two classmates. Parents intervene, and unexpected consequences begin to develop from school disputes in school offices.

A scandal breaks out in a small town just big enough to have a local newspaper.

Boris Robič is, as we say, an ordinary kind of bloke. One evening, however, someone tries to shoot him. The investigations reveal nothing. No enemies, no suspects. You could say that Boris is the last person anyone would want to kill. After the police close the investigation, Boris decides to make his own inquiries. As he searches for the suspect, we see the tragi-comedy unfold of a man who discovers that a lot more people hate him than he ever realized and that the way he sees his own life was an illusion.

The comedy takes us to a small Slovenian town in which a pre-election fight is being established in Parliament. After the online coincidents become the main heroine of the event teacher Didka, which the client included on the candidate list only to the so-called ' female quota '.

Two sisters discover an abandoned infant in the forest and, unable to find his mother, have him baptized as Aleksander (Leksej) and adopted by their family. Enchanted by the itinerant violinist Jakob, Aleksander becomes his pupil, inherits Jakob’s violin on his deathbed, and despite being bound to hard shepherd duties and facing jealousy, persists in pursuing his musical gift.

The lives of a wealthy married couple radically change in an instant. While the husband is in critical condition after an accident that occurred under strange circumstances, the wife tries to understand the situation and to salvage what she can… In this constricted, small-scale drama by a renowned Slovenian filmmaker, Pia Zemljič excels in the role of the resourceful wife.

Tanya is 35, with a successful career. Her husband Mare is an architect. One Friday, Tanya comes home late at night. Mare confronts her and they exchange some edgy words; Mare is clearly jealous, he loses control of himself and slaps her in the face. Obviously, it is not the first such incident. Tanya locks herself in the bathroom. They continue their conversation over the locked doors. Mare calms down, but when Tanya comes from the bathroom, he becomes abusive again. The noise wakes up a neighbor who reports them to the police. The police arrive and the couple calms down. When the police leave, the couple resorts to psychological abuse. What follows is the night of hateful and skillful twisting of words that unveils, step by step, all the dark secrets of their relationship. Behind a facade of a successful couple, there are suppressed feelings of inferiority, weaknesses, deceit, frustration and traumas from their youth.