Ghasem Khan thought he owned part of the sea and got into a clash with some fishermen over fishing rights. Everyone joined the fight and after Ghasem Khan's people dispersed the fishermen they confiscated the fish they had caught. After his son Masoud attacked him and said his claim to ownership of part of the sea was unconscionable Ghasem Khan drove him out of the house; he took refuge with the people. Ahmad loves Kazem's daughter Maryam. Ahmad went to sea fishing with a group of fishermen but the sea was tempestuous and he turned up missing.

A young man is accused of embezzlement by staging his boss and goes to prison, but soon he is acquitted and released, while his family situation is disturbed, he lost his job, his fiance left him and his mother is sick

Iranian horror movie from 1963.

A deaf and dumb girl in a village is raped by a man, becomes pregnant and gives birth to a baby. Jabbar later marries the village headman's daughter but his wife can't get pregnant. Therefore, he wants to get the baby for himself and his wife.

synopsis Zari sees his old friend Mahmoud and they go to Hassan Rizeh restaurant. Zari's husband, Farzin, wants them to have children, but Zari does not want to obey her husband. Farzin, the manager of a company, goes to a restaurant to meet with a reporter, and Hassan Rizeh says that his wife was with a man in the restaurant a moment ago. Zari hides the matter from her husband, and Farzin leaves home and goes to Paris. In his absence, Hibat Ali, the director of the house, and Mahmoud and his wife Maryam suggest to Zari that he bring a child from the orphanage to satisfy Farzin and pretend that he has a child.

Marjan (1956) is the first Persian feature film directed and produced by a woman in Iran. Filmmaker Shahla Riahi (Ghodrat-ol-Zaman Vafadoost) plays the lead role of Marjan, a Roma woman whose doomed romance with a young school teacher has multiple endings, according to key sources. Shot on 35mm black-and-white film with a runtime of 105 minutes, Marjan was the inaugural production of Arya Film Studio, founded by Riahi herself in 1956. Unfortunately, only two reels of the film can be viewed today, preserved by the Iranian film collector Ahmad Jorghanian, while further surviving reels in the Iranian National Film Center remain completely inaccessible. Film scholar Farzaneh Ebrahimzadeh Holasu will present the surviving fragments in person.

The village headman's daughter and the landlord's daughter are both smitten with a young engineer. After some drama, the landlord's daughter finally puts an end to the problem. She pretends to be frivolous so that the young engineer distances himself from her and gets closer to the headman's daughter, even though she loves the engineer and suffers from losing him.

A Lost Persian Film. Javad Shadi, who is in charge of a joy caravan, murders his wife Setareh because of her secret lifestyle and association with a vagrant and is sentenced to life imprisonment. He gives his daughter Roya to a traveling singer named Gholam Hossein. Javad is released after fifteen years and returns to his hometown of Rudbar. Gholam Hossein, who entrusts Roya to a wealthy family a year after Javad's imprisonment, gives Javad the address of Amir Afzal. Javad goes to Amir Afzal and his wife and agrees to give up his paternal rights in exchange for his daughter's happiness. Javad finds out that Jamshid Mehrdad, Roya's fiancé, is an unemployed young man with a wife and two children. Javad arranges for Roya to marry Kamran, Roya's music teacher; But Roya hurts Javad due to a misunderstanding, and Javad continues his life in anonymity. Kamran tells Roya the truth of the incident, and the two find Javad and bring him back home.

A tragic accident causes a famous football player to turn to alcohol, and as a result, she soon becomes addicted