Amongst the mountains of Lesotho, an 80-year-old widow winds up her affairs and makes arrangements for her burial. But when her village is threatened with resettlement due to the construction of a reservoir, she finds a new will to live and ignites a spirit of resistance within her community.

Lemohang Jeremiah Mosese’s This Is Not a Burial, It’s a Resurrection follow-up Ancestral Visions of the Future is described as being “a deeply personal exploration of identity, childhood, and death,” continuing a running theme in Mosese’s work of wrestling with his childhood in Lesotho and his exile to Germany.