Turkish director Ali Vatansever weighs the human cost of politically motivated urban renewal in his achingly resonant second feature, about a young couple forced to compromise their ideals and work for the very industry encroaching on their Istanbul neighbourhood, in order to keep up with the rent.

A young nurse starts a new assignment in a small isolated village in the farthest reaches of Turkey, a place that seems asleep in an endless winter. A thick layer of snow covers the souls as well as the lands. But under the snow, unspeakable secrets hibernate.

In early 1970s, Adem is a boy living in an Aegean village with his family. He just finished the primary school and he wants to work while he's on summer holiday. He gets permission from his family to work for a soda pop seller named Ciber Kemal. But the Ramadan has just came and Adem wants to do his fast while he's working. But he starts seeing hallucinations because of the hot summer day. It seems it's going to be the longest day of Adem.

'Çocuklar Sana Emanet' meaning 'Children's Safety to you" The story about an interior architect Kerem recovering from traumatic car accident then spends time with healer woman and people of a village. But It is full of mysteries, suspense & hope.

Ali, who is ice cream salesman in Mugla, tries to survive in the face of fierce competition from the big ice cream brands. While trying to promote his ice cream, he tours the village with his brand new yellow ice cream motorbike. However the naugthy boys of the town who are chasing him to have free ice cream, steal the motorbike while he is away. Still repaying the debts for the loan on his motorbike, Ali becomes furious and accuses the big ice cream brands of stealing the car in order to destroy him. He starts investigating the theft of his motorbike asking one by one to the sellers of the big brands, while all along the naugthy boys are enjoying their free ice cream