A young man in a green Martian costume allows himself to be dragged hither and thither by a bossy housewife. In this way the film swerves between deceptively ordinary realism and a fantastic absurdism. The housewife Junko (Otori Rei) has started to behave increasingly strangely since the death of her son. Her husband can't put up with it any more and goes off with a female colleague. The man in the green suit, Katsura Tombo (Oda Yonosuke), is a bread salesman but he forgets his work. His strange costume is supposed to lure new customers, but he seems to have forgotten that. He is more or less kidnapped by Junko and falls in love with her. Junko however has other intentions with the rather naive salesman. The failed Martian drives her around in his aunt's van, but his helpfulness doesn't get rewarded.

Five years ago, Hana’s family was shattered by a tragic car accident. Her mother has been in a coma ever since, her father walks with a limp, and her younger sister Luna suffered severe burns that left her wearing a mask. Hana has no physical injuries, but carries the heavy burden of survivor’s guilt and hasn't been to school since. Hana befriends Jun, a boy who is searching for answers about his mother’s mental collapse into silence. As Jun finds more similar cases, he begins to suspect that Hana's father – a psychotherapist – is somehow connected. One day, Hana’s father brings home a woman he says is their mother, awakened from her coma. Luna accepts her without question, but Hana is convinced that the woman is not her mother – her appearance is too different. Who is she, and why would she pretend to be their mother?

Slacker Ichiko gets into a fight with her younger sister and begins to live on her own, working the late shift at a 100 yen shop. On her way home, she passes a gym and meets boxer Kano who trains there in silence...

In 1987, frustrated junior high student Takashi hates his uncool father hanging around their suburban home all the time, and is pestered by the area’s wannabe gangsters. But he’s interested in the girl next door, the bounteously-breasted Megumi. One day, Takashi hears a rumor that porn actress Kyoko Yokushimaru is coming to town for an autograph session at the only video store in town where Takashi and his judo friends always hang out. Their ridiculous but serious adventure begins. What will Takashi find after all the surprises and chaos? Recalling youth classics like Stand By Me, this is the debut feature of Shin Adachi, Japan Academy Prize-winning screenwriter of 100 Yen Love.

Tadaomy Ando became a yakuza boss at a young age. Because of his subordinate, he quit the yakuza. Now, he learns from Takashi Konaka the trade of illegal money lending and how to collect debts. Tadaomy Ando decides to become a loan shark. He has customers, but has a hard time collecting debts.

Yoshika has had a crush on Ichimiya, whom she calls "the One" since she was in middle school. Now, a 24-year-old salarywoman, her all-consuming fixation has prevented her from even considering another candidate for boyfriend until an office colleague asks her out.

After 5 years in Tokyo, 5 part-time jobs, 5 boyfriends, Sawako's life is going nowhere. When her father gets seriously ill, she has to take over his struggling factory. Gradually she becomes the decider of her own life.

Michitaro Sano’s wife passed away 18 years ago. Since her death, he has lived with his daughter Yumiko at their home. Now, Michitaro retires from his work. Yumiko though tells him to start doing housework. Michitaro is also surprised to learn that Yumiko has a boyfriend and is considering marriage. Michitaro is unsure how to handle his sudden abundance of free time. He then attends a local radio calisthenics group session.

A novelist receives a letter from a female university student named Kubo about strange sounds that emanate from a room in her apartment. They begin to investigate incidents involving former residents, and eventually discover the shocking truths lurking inside the building.

Mitsuko is 24, heavily pregnant and estranged from the American father of her child. Her parents believe she is happy and successful in America and are unaware that she has secretly returned to Tokyo. Making the biggest decisions on the slightest whim, she moves back into the tenement street where she lived as a child. The move changes lives, reignites old romances and creates a supportive circle of love that may be exactly what Mitsuko needs.