The chaos began at the Winter Solstice dinner eight years ago. The father lost his temper, the son, not able to forgive his father, ran away from home. Eight years have passed, and the family's relationship is still cold and distant. A cousin returns to Hong Kong from England and hopes to gather everyone for a Winter Solstice dinner. The long-awaited gathering prompted everyone to rethink their relationships with family members. Some choose to leave, some are back. When things are about to fall apart, it might as well be an opportunity to mend connections.

“I want to marry myself!” To plan for a solo wedding, to marry myself, to declare my forever love for myself to the world! Attractive comedienne Ping vows to become a viral Youtuber. She concocts a plan to put on a show of marrying herself in what was meant to secure both money and likes! However, the scam ultimately ended up in the discovery of her true self in this coming-of-age fairy tale comedy. To love others, I must love myself. Simple enough, right? But who am I? In a pageant of love, four contest as lovers, each one goodhearted in their own right. Does Ping want all four or none at all? By marrying herself, can she figure out who she really is? And who she really loves? Ping will tell it all on the day of the solo wedding… In this satire of marriage and the individual self, nothing is left untouched: women, men, organised religion, homosexuality, the filthy rich, not to mention ye good old mother! Love yourself in Say I do to me, won’t you?

Yunnan girl Xiangnan, coming from a poor family, was married off to Hong Kong in exchange for a generous dowry. She lives in the remote area of Lau Fau Shan with her elderly husband. As a stranger in a foreign land, Xiangnan feels lost both in Hong Kong and back home, unable to find a space of her own. She dreams of escape, yet feels trapped like a small boat adrift in the sea, tossed by the waves with no way forward or back. In her helplessness, Xiangnan begins to converse with different versions of herself, searching for a place to coexist with herself. Birth and death, unity and separation, living and survival—all dissolve into silence. The story unfolds in scattered, fragmented memories, mostly reflecting Xiangnan’s daily life. The narrative shifts between the perspectives of her mother, Xiangnan as a child, and Xiangnan herself, moving through different spaces in Lau Fau Shan—sometimes in contrast, sometimes in harmony.