Miu Kam-fung, who plays the film’s titular character, addresses her identity as housewife and actress in Patrick Tam’s commentary on the dangers of rampant consumerism, seen as a defining moment for contemporary Hong Kong. In its studied references to Godard, Tam’s work buzzes with modern life—supermarkets, billboards, television—and juxtaposes these references with questions about marital infidelity, middle-class morality, and even political sentiment.

The second episode of the Hong Kong reclaimed “Social Worker” series (1976)

Cheung, a 23-year-old unmarried travelling scholar, stops by the monastery, where he sees a beautiful woman. Against the rules, Monk Faben allows Cheung to stay and woo the girl, Ann-Ann. She is shy, and also the Prime Minister's daughter, so the wooing is arranged by Ann-Ann's maid Hung.

Cantonese adaptation of Daphne du Maurier's novel Rebecca.

The soon-to-be Monk Talkative does his best to understand when Fairy Yeh explains what must be done. Rabbit spirits have escaped from the heavenly garden, and must be recaptured. These bunnies can assume human female form, and gorgeous forms at that. One is played by Pang Dan, who happens to be the soon-to-be Monk Talkative's wife. Talkative finds the explanation hard to follow but decides to help.

The Deadly Angel