Reconstruction, in the form of episodes, of the most bizarre crimes that occurred in Japan after World War II.

First film of the The Black Hooded Man series.

The second film in the 1953 trilogy based on the long novel series The Great Bodhisattva Pass.

This story is based on the novel "Jo no mai" by Tomiko Miyao which is based on the life of painter Shōen Uemura (1875–1949), the first woman to be awarded the Order of Culture. The title refers to the masterpiece bijinga ("picture of a beautiful woman") that Uemura painted at the age of 61. The main character, Tsuya Shimamura, is born in Kyoto as the second daughter of a tea trader who dies before her birth. Tsuya, who loves painting more than anything and is hopeless at housework, attends art school and at age 15 receives the name Shōsui (from the characters for "pine" and "green") from her teacher. The crown prince of England purchases one of her works, propelling her to fame overnight. The novel portrays the remainder of her stormy life, during which she is impregnated by her teacher and raises a fatherless child; through it all she devotes herself to her painting, undaunted.

Two short stories set in Edo during the Shogun era. The first, during a time when Christians are persecuted vehemently, Iori falls in love with a young Christian girl. When she and her family are captured during a raid, his sadistic master takes her as his personal slave to torment Iori. The second follows Sutezo who, forced to serve the barbarous master of a brothel in order to repay his debts, befriends a young girl. Together, they both escape and struggle to get by on scams and petty theft.

A sequel to "Vampire Dead Beauty Carving", featuring the same members from the previous work, including scriptwriter Koji Takada, director Hideaki Onishi, and cinematographer Shigehira Suzuki.