The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation. The pro-regime director Antonín Kachlík also focuses on the socialisation of the Moravian village, accompanied by mistakes and coercion, but in his optimistic view he emphasises the hopeful prospects leading to a happy future. Although the united village lands were born in pain, they will serve for the benefit of all the working people... As with Jasný, Radek Brzobohatý embodies the stubborn peasant, who is only slowly acknowledging the benefits of communal farming. However, unlike the poetic exuberance and pithiness of Jasný's chronicle, here we encounter a vicious posturing.

In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.

The fates of the women are repeated: the 16-year-old daughter of a 32-year-old mother is also pregnant. Like her mother, the child remains unmarried and fatherless. From him, the girl receives only an exotic postcard with the titular three camels...

At the funeral of his schoolmate, the nearly-fifty-year old architect Jirí Mánek (Václav Voska) meets his former close acquaintance - physician Jarmila (Blanka Bohdanová). They both are still single. Jarmila has recently returned to Prague after years of work on the frontier. Jirí leaves for a business trip. As a conservationist, he is to grant permission for an adaptation of a Baroque château to office spaces. On the road, a pretty young hitchhiker named Eva (Ida Rapaicová) stops him. Eva is Slovak and her spontaneous behavior enchants Jirí. He thus does not mind making a short detour and takes Eva all the way to the luxurious cottage of her parents. A romance develops between the two people, so different in age and temperament.

A water sprite settled in a mountain stream. He stops the water and catches fish. So the frightened villagers try to persuade him to move to the Jizera River, where there is plenty of water. But in vain! The water sprite won't even listen—the Jizera River is far away, he would have to walk there on dry land, and that would destroy the little green man. The water in the stream has dried up, and he cannot walk on dry land. But if they built a higher dam to raise the water level in the stream, he would swim away today and even pay them... The negotiators – a shoemaker, a tailor, and a hammerer – consult and decide to do what the water sprite wants...

A dedicated chairwoman of the Communist Party of Czechoslovakia in cooperation with a StB major clears a politically immature researcher of the charge of aiding subversives...

This feature film based on the events of 1938 is a chronicle of the futile efforts of the Czechoslovak president Edvard Benes (Jirí Pleskot), politicians and ordinary citizens, to save the independence and the territorial integrity of the state from the advance of Hitler's Germany. On the 29th of March 1938 the leader of the Sudeten Germans Henlein (Werner Ehrlicher) has a meeting with Hitler (Gunnar Möller). Hitler orders him to intensify pressure on the Czechoslovak government. On the 24th of April in Carlsbad, the Sudetendeutsche Partei (Sudeten German Party) decides upon eight demands that are unacceptable to the Czechoslovak President, since they would ultimately lead to the break-up of the Republic. Benes still shows a certain willingness to negotiate, and Henlein resents this. The Germans are determined to make further negotiations impossible through incidents and violence.

The car thief Halama, the shy groom Poupě, the divorcing jealous Pic and the mustachioed cinema projectionist Vlk are suspected of robbing the cinema box office. They are so similar, however, that the sharp-witted Public Security investigator Doll doesn't know them at all...