
Acting
Miroslav Macháček was a Czech stage, film and television actor and director.

Wartime events from a child's perspective were a popular theme during the previous regime - here it is a twelve-year-old village boy who experiences dangerous situations with retreating Nazi troops in picturesque South Bohemia... Any attempt to achieve a more believable depiction is destroyed by the staging's grandeur, and in the end the result is an awkward piece, suitable at most for celebrating the relevant national holidays. A longer copy with a tragic ending is stored in the NFA. Milda is shot unnoticed by an SS major.

A mentally ill man is running away from the people who care for him in search of freedom. He accidentally stumbles into a hotel where a ten-year-old girl has been found murdered. Is he really the perpetrator of the horrific crime?

Set in Prague during the years leading up to World War II, this family saga tells the story of a cobbler named Vincenc Bursik (Vladimir Mensik), who uproots his clan from the country to the city, only to suffer the loss of his wife and the failure of his shoe business within months. When his daughter moves away to go live with a wealthy businessman as his mistress, Vincenc is left to take care of his two sons, who spend their days in a secret garden vying for the affections of a teenage girl.

Alienation between the closest relatives is always a serious disorder of family judgment. Father and son not only do not see each other, but one does not even recognize the other when they meet by chance. No wonder, since the father has been in prison for a long time and his son was raised by a former family friend after his mother's death...
The life of Tomáš Garrigue Masaryk, the first elected President of Czechoslovakia following the fall of the Austro-Hungarian empire in 1918.

Lemuel Gulliver has had a car accident and continues his journey across the unknown countryside on foot. On the road he finds a dead rabbit dressed like a man and takes a watch from its waistcoat breast pocket. The half-ruined house that he enters reminds Lemuel of his childhood and brings up a painful memory of a dearly loved girl Markéta who was drowned years ago. Gulliver finds himself in Balnibarbi, a country where he doesn't understand the laws and habits and so continually offends against public decency. It is a day when people are ordered to keep their mouths shut and they force their visitor to follow suit. He faces harsh interrogation and finds it difficult to explain that he is not the rabbit Oscar whose watch has been found in his possession.

A picture of generational confrontations between children and parents. A young and ambitious violin virtuoso, Peter, lives in long-lasting conflicts with his father. Only after his death Peter realizes how much he had been hurting his father. Still, not even the tragedy can make a change in his shallow life in stereotype.

Eleven disparate adolescents, gathered for a skiing camp at an isolated winter resort, find themselves preyed upon and set against one another by their three mysterious instructors.

Pavel is a Czech partisan fighter in the waning days of the war. Just as peace is declared, Pavel is shot in the spine and sent to the hospital emergency ward. As he fades in and out of consciousness, he recalls the events that led to his participation in the underground. Holding German occupation commander Engelchen responsible for all the horrors and deprivations heaped upon his comrades, Pavel is kept alive by the possibility of recovering and exacting vengeance upon the Nazi officer - no matter how long it takes.

The parents decided to send two twins, Honza, and Martin, on vacation to their grandfather.

The production of Shakespeare's Hamlet with František Němec in the title role (premiered at the Smetana Theatre in 1982) was far from enthusiastic at first. To some viewers, it seemed superficially unimpressive. On the spare stage of J. Svoboda, director M. Macháček focused on thinking through the relationships between the characters and their motivations, and cast great actors of the National Theatre in the roles. Macháček gradually revealed the story, like a detective story - from the message from the ghost of Hamlet's father about the manner of his death, through the play of the theatre company as proof of the murderer's guilt, to the final murderous finale... The production eventually became a Prague theatre hit and could certainly have been performed for a long time if it had not been withdrawn from the repertoire in 1988.
