Take an irascible dwarf whose surname is Piccolo, with an easy trigger and an immoderate passion for Pupo and his songs. Then add an undercover policeman whose surname is Doll who doesn't even dare to declare himself to the woman he is in love with and plays tough disguised as a pseudo-criminal. Then you end up with Silvano, a former drug addict in perennial religious mystical crisis, who steals from apartments to survive, only to leave holy cards to be forgiven for the pain caused.

Inspired by the work of an award-winning Italian novelist, this post-modern noir fantasy is centered on the image of a young poet and his aristocratic family. Set in the 1800s the plot develops around an ancient curse and a series of mysterious and terrifying events occurring on the family country estate. Featuring authentic period sets and costumes, the film is a metaphor of maturing and becoming, where death and rebirth intertwine and perpetuate each other in a continuous flux of life.

Andrea (Riccardo Maria Manera) is a young man who lives with the surprises and hardships of life. He lives with his best friend, seeks to complete his studies and has an ex-girlfriend who plays with him like cat and mouse. When he discovers that he has an incurable disease, the world collapses on him. Can an illness change a person's life... for the better? Thanks to Giulia (Jenny De Nucci), Andrea will understand that the time has come to assume what remains of her own existence.

Golia is a former rugby champion suffering from dementia. every day he wakes up convinced that he is still young and is away with his team, only to learn that he is living inside a nursing home and has lost all contact with his wife and children. alessandro, another guest of the nursing home, is a former professor of ancient literature suffering from paraplegia. alessandro has one last ambition left: to help golia break out of the nursing home and reunite him with his family, overcoming the defense lines of the institution’s mean-spirited staff and showing the institutions how senility and illness are not valid pretexts for defining the social worthlessness of man.

A mad killer locked Giulia and her four-year-old daughter in the trunk of a car, intending to kill them both later. Only one person could possibly save them: Marta, who had decided to kill herself that very same day.

Giulia dreams to become a detective since she was little. When one night her cousin dissapears, Giulia starts searching for him with the help of her friends.

The story of two boys, one gay and the other homophobic, who are seemingly different from each other and find themselves living together. Over time they learn to appreciate each other, help each other, and go beyond appearances.

Antonio, known as the Chameleon, and Teresa Lupi: the first has just been released from prison, after ten long years. She is a young police commissioner. They are two tormented figures: Antonio leaves prison with one fixed thought: to avenge the murder of his family, which he witnessed as a child. Teresa, on the other hand, seems unable to live her life in harmony: her personal relationships are superficial and the only thing that seems to satisfy her is work. The lives of these two characters are soon linked by the common fight against the infamous Don Ferdinando, a ruthless boss who controls the city.

Claudio is 50 years old and tired of his job as an real estate agent. He is also separated from his wife who left him for the "King of Zumba".