Acting
Mira Nikolić was a Serbian theater , television and film actress .
The conflict between a reactionary surgeon and his progressive son over new methods of surgery.
A group of 19 young women, led by a partizan man, are the only people available to escort a number of partisan wounded in the struggle for freedom, in the mountain ranges invaded by the Nazi army. The crossing of difficult tracks, and a few encounters with enemy patrols provide danger, and death for some heroines. Two girls are in love with the column's commander, but love for the motherland and freedom will prove stronger.
Boris Buzančić plays an idealistic young doctor who is assigned a nearly deserted village. The backwards residents at first resent Buzančić's new-fangled methods. Gradually, he proves his worth and wins their confidence. The clincher comes when Buzančić rids the community of a despotic villain.
A bus traveling from Belgrade to Zagreb is involved in a tragic accident when a reckless driver causes a catastrophic collision on a rainy night, leading to the tragic deaths of several passengers.
Twelve-year-old son of a divorced parents live in a skyscraper, but the drab of urban living is somewhat improved by the proximity of hippodrome and horse farm. Boy's favorite is a former champion named Evergreen, a stud whom the administration decides to sell to the slaughterhouse. After an unsuccessful attempt to change their mind, children steal the horse and disappear. After realizing what this horse mean to them, they give it as a present to the boy's class.
After one of the pupils lost his pencil in the classroom, the other children accuse Dika that he stole it. Dika decides to fight for the truth, and luckily his teacher is the only one who believes him.
A film about blood revenge in Montenegro.
Two concentration camp prisoners are taken by Nazis to disable un exploded bombs in German towns. When they work on the ruins, with their guards safely away, they enjoy a few precious moments of freedom.
A group of partisan illegals entangled in a love triangle during Ustasha reign in Nazi-occupied Zagreb.
The topic of this routine, romantic drama is a little unusual - it concerns what some prisoners do when they are allowed out of jail for two weeks before their sentences are up. Rather than receiving some special dispensation, it turns out that in Yugoslavia this was the custom. Most of the time, the men here are engaged in pursuits that forward their relationships with the fairer sex, as might be expected after a long and lonely incarceration. There is nothing particularly profound about their two weeks of liberty, and no deep message in the tale.