When Nico returns from overseas to say farewell to his ailing mother, he discovers something monstrous is happening in the small town he once called home. As the list of grizzly murder victims begins to grow and the authorities fear the killer is a beast unlike anything they have ever seen, Nico senses a savage transformation within himself and uncovers the terrifying secret his family could never reveal.

A priest and his father investigate the disappearance of a cardinal who has damning information about the Vatican.

"14 d'abril. Macià contra Companys "is a television drama, allegedly recorded in 1932, but with the methods, style and own means 2010. With this temporary license, the stars of one of the episodes of the Catalan capital twentieth century discussed the facts, in first person, while a nosy camera helps us to relive what happened in Barcelona between 14 and 17 April 1931, the three-day duration of the Catalan Republic. All with the aim of showing the greatness and the precariousness of a gesture, half improvised by Companys key sovereigntist corrected by Macià, and that led to a shouting match.

In this poetic story, set in the late 1950s, the life of a small boy is influenced by historical events, ranging from the exploration of space to the Algerian War. His father is drafted and the boy’s cozy home changes into the cold walls of a barracks flat. His central focus becomes the world of child fantasy and imagination. The director has made an attempt at capturing the thoughts, dreams and anxieties of one child, which sets out on a journey to the centre of the Earth, while the adult hero remembering his childhood sets out on a journey to the centre of himself. The rhythm of the story flows just like a nocturne, a lyrical musical piece expressing a night mood. The director’s ambition was not to create a realistic film, but to try to transpose a child’s fantasies into images.

A tale of cheats and impostors, taking its inspiration from true facts and from one of the most intriguing characters of recent decades: the spy Francisco Paesa.

A series of brutal crimes are happening in the city. The private detective Roberto Parra believes that the crimes are related to her sister, murdered months ago.

Alfonso and Anna have long since lost the passion of their marriage. She is a lover, who also plays the lead role in the play of the village. Alfons, by accident, poisons lovers and their ghosts will appear after death. Together we will make sure that the play can be released and Alfons their actor. And regarding the opening of the play, and the assistance provided by the Anna Alfons learn to look at life from a more relaxed view.

A thief expert with blowtorch is hired by a group of the Russian mob for a bank assault.

Miguel believes that it's needful that he helps people(specially women) for trying to improve her lifes. He decides to begin a love story with a lame woman for helping her to overtake the happiness, but after that he begins (for the same reason)new relationships with other girls that have some problems in her lifes.The problem for him begins when he meets the love with a beutiful girl, and it will have bad consequences for all (especially for the other girls).

Salamanca, Spain, 1936. In the early days of the military rebellion that began the Spanish Civil War (1936-39), writer Miguel de Unamuno supports the uprising in the hope that the prevailing political chaos will end. But when the confrontation becomes bloody, Unamuno must question his initial position.